‘Agatha Forever’: Why the New Disney+ Series Is ‘Marvel’s Gayest Production Yet’

‘Agatha Forever’: Why the New Disney+ Series Is ‘Marvel’s Gayest Production Yet’


The cast and creators proudly heralded the series as Marvel’s “gayest” offering yet, a claim supported by several queer characters, musical numbers, and a host of flamboyant transformations.




It’s been three years since Agatha Harkness’ character was revealed as the big bad of WandaVisiona series that took inspiration from classic sitcoms and proved that the Marvel Cinematic Universe was capable of telling more eccentric stories than its formulaic filmmaking might suggest.

Elizabeth Olsen’s Wanda Maximoff was finally confirmed as the legendary Scarlet Witch, but it was Kathryn Hahn’s Agatha (and her viral wink) who stole the show as “Agnes,” Wanda’s nosy neighbor who was actually a centuries-old evil witch.

And now the fan favorite has her own solo outing in the series Agata since foreverand also led by WandaVision creator Jac Schaeffer.



The character

Fittingly, for a spin-off of a spin-off, Agata Forever It initially follows the example of its predecessor by delivering a story enclosed within another story.

The series follows in the innovative footsteps of WandaVisionstarted after Agatha’s attempt to steal Wanda’s powers left Agatha herself helpless and trapped in her fantasy.

While Wanda processed her trauma through sitcoms, Agatha’s trap took her mind to a darker alternate reality: a prestige crime drama.

It opens with Agatha as a small-town detective in a parody of the HBO series Easttown Sea call Agnes of Westview. Like the comedies of WandaVision, the show-within-a-show is smart and exceptionally well-executed, with “Agnes” playing a no-nonsense, flannel-wearing, independent cop on a stereotype-ridden case.

But the first layer of the Russian Doll narrative is soon shed, with Agatha freed from the spell by the arrival of a witch-obsessed fan, played by Heartstopper’s Joe Locke, who convinces her that the way to regain her powers (and save herself from the wrath of the terrible Salem Seven) means traversing a trial-filled path known as the Witch’s Road.

Here, Agata Forever he moves away from WandaVision and, in the first four episodes made available for analysis, it begins to take shape. It is a puzzle series that employs real horror elements along with Scooby-Doo-style adventures and caricatured elements of films like Abracadabra.

Needing a group of witches to access the Road, Agatha must renounce her lone wolf tendencies (or at least mask them for now) and embark on a recruitment drive straight out of a heist movie.

The gang he brings together is a pleasant, disorganized group of misfits.

There’s Patti LuPone as Lilia, a financially struggling fortune teller, Ali Ahn as Alice, daughter of a legendary rock star witch, and Sasheer Zamata as Jen, a witch-turned-wellness expert who sells retinol creams and jade eggs.



Kathryn Hahn shines as Agatha

‘Chemistry’ between the characters

What stands out most, however, is Aubrey Plaza as Rio Vidal, a green witch with whom Agatha shares a thorny history and obvious sexual tension.

First appearing as a federal agent in Agatha’s fantasy crime drama, Rio taunts, mocks, and tries to kill Agatha before joining the witches’ coven as an agent of chaos. Plaza couldn’t be better.

The duo’s sizzling chemistry is at the heart of what the cast and creators have proudly heralded as Marvel’s “gayest” offering yet, a claim backed up by multiple queer characters, musical numbers, and a host of splashy transformations.

The themes of otherness, identity, persecution, and chosen family speak to the LGBTQ+ community and also demonstrate an interest in the cultural history of witch representation.

Varying from mildly scary to genuinely horror, the series argues that witches are more complex than pop culture would have us believe and fulfills certain expectations: it showcases sisterhood, invocations, and generational curses.

Largely devoid of their inherent supernatural powers, the witches must work hard to make it through the Road, but the quest element of the series is underpinned by larger mysteries that fans have already theorized: the true identity of the Locke character known only as “teen”; whether Wanda (last seen sacrificing herself in Doctor Strange in the Multiverse of Madness) may still be alive; and what really happened in Agatha’s past, particularly in relation to her absent son.

Because it’s hidden in plain sight WandaVisionAgatha, and thus Hahn, were confined to the show’s periphery. Here, both character and actress relish the chance to shine, with Hahn beautifully expressing Agatha’s sarcastic selfishness as well as revealing her vulnerabilities (and proving the value of employing truly talented comic actors to deliver funny lines).

If there’s occasionally a certain coldness to Marvel productions—the green screen and CGI spectacle that distracts from character and emotional weight—Agatha proves that there’s no substitute for good old-fashioned chemistry.

This is a cast that is deeply—and often literally, thanks to the songs—in tune and evidently happy to deliver a magical series that’s willing to be as silly as it is dark.

Source: Terra

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