“Too bad, nothing is true”: Coppola dislikes this series at all, rated 4.2 out of 5

It’s a story full of action and intrigue, but is it true?

We’re No Longer The Godfather, a gangster film by Francis Ford Coppola, who wrote the screenplay with Mario Puzo based on the latter’s 1969 bestseller, starring Marlon Brando, Al Pacino, James Caan, Richard S Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte and Diane Keaton: all starred in one of the most influential sagas in film history, a saga that traces the lives of the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955.

But making the trilogy wasn’t easy — and here’s a great plot twist for the series: That series is The Offer, out in 2022 on Paramount+, a project that Coppola mentioned in an interview (via Sofilm) and about which he had no bad things to say. Then deal with The Godfather Part 3 to re-edit it in its own way…

But when asked if he ended up with the Corleones in the third part – because the characterAl Pacino He complained that he got back into the mafia when he thought he had things sorted out – Francis Ford Coppola Finally expressed his opinion on this show…

“indeed. Mario Puzo and I didn’t want to call the movie “The Godfather, Part 3”, but “The Godfather, Code: The Death of Michael Corleone”. The title was turned down by Paramount, who wanted to develop the saga. I recently signed an agreement with the studio. They let me reassemble the film as Mario and I envisioned it. On the other hand, I shouldn’t criticize Ofer… but I say, it’s a very bad series! Nothing is true, everything is pure invention.“

What is the offer?

offer That’s why there is a series that reflects a turbulent production godfatherTold from producer Al Rudy’s perspective: Acquiring the rights to the book Mario Puzo as “The Boss” Joe Colombo, who convinced the Italian-Americans of New York not to disturb the filming. That’s why the series is inspired by Rudy’s experience.

But historically, the stories surrounding the legendary film’s production have been fiercely conflicted, especially over who gets credit for the film’s phenomenal success. offer Argues Rudd (Miles Teller), Coppola (Dan Fogler) and Paramount head of production Robert Evans (Matthew Goode) in favor of the combination, with valuable help from Rudd’s secretary Betty McCarthy (Juno Temple) and a minor mention of the finale, Paramount head Peter Bart (Josh Zuckerman), who eventually bought the rights to Puzo’s unfinished novel and offered Coppola to film it.

These names will be familiar to everyone, steeped in history godfather. The series, although rated 4.2 out of 5 by Allociné viewers, did not appeal to the main stakeholders.

We’ll let you make up your own mind: the offer can be found on Paramount+.