Tonight on Netflix: A tense but fun closed session with one of the revelations of current cinema

Tonight on Netflix: A tense but fun closed session with one of the revelations of current cinema

Discover on Netflix one of Quentin Dupierre’s latest comedies called Yannick, starring Raphael Quennard, Pio Marmay and Blanche Gardin. Theatrical closed session with hostage taking… only that!

The room is upside down…

during a theatrical performance a robberYannick, a member of the public who finds the play and its interpretation exciting, stands up and interrupts the actors with a complaint. Tony escalates, but he agrees to leave… until he returns armed and takes the room hostage.

Director Quentin Dupuy is a prolific auteur. After a four-year hiatus between Réalité (2014) and Au Poste! (2018), since then he has gone on to star in Le Daim (2019), Mandibles (2021), Fumer Coughs, Unbelievable But True (2022), Daaaaali!, Yannick (2023) and The Second Act (2024). Not all are created equal, but Yannick is clearly one of the best.

…and a troubled hero

Rated 3.8 out of 5, making it Dupieux’s highest-rated film by AlloCiné viewers, Yannick will touch audiences with its pretty unstoppable humor and Raphael Cuenard’s performance, in which rhythm, tension, and even emotion are excited when we discover it. He wanted to see while attending the play.

Raphael Cuenard (Yannick)

Raphael Cuenard (Yannick)

But what is seen in the film is the contradiction of social classes. Artists look down on every person and their daily problems. When the latter rebels and gets some light from the hostages, one of the artists, jealous, takes a gun and tries to humiliate Yannick.

Writing a play about the lack of love, Yannick, who has lost his lover to a lonely night shift that has also lost his parents, both dead, offers himself to take these desperate hostages, a cry for help he cannot formulate. “Real Life”. The community fortunately emerges unscathed from this crime and Yannick is arrested. In terms of narrative and fiction, everything is in order, but Dupierre also questions, as he often does, reality: is this order, this supposed normality, satisfactory for the life of Yannick and mundane Yannicks?

Source: Allocine

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