The show in Copacabana, Rio, collected 2.1 million people to see the postulant to the largest pop star of the 21st century in his mission of being more impressive than Madonna
In the fresh and enlightened night CopacabanaAn audience without a vocation for support, calculated in about 2.1 million people from the city, made historic megaespects from Lady Gaga This Saturday 3 May in Rio de Janeiro. On the upper part of its 1.55 m, the American Popstar presented a large structure of scenarios and lighting, more than twenty Neozelane Varis Goebel and, important, excellent musicians (unfortunately very little mentioned by the media) that play live (occasionally mixing with pre-recorded bases), under the competent direction of Juan Manuel Najira, a natural artistic tail. There was even the luxury of a section of ropes with ten instrumentalists.
Passing in their declarations of love for the country and for Brazilian fans, Gaga has not been very long to give credit to the stars of the public who improve the show: “We are making history tonight. But nobody makes the story alone. Without you, the wonderful audience of Brazil, I would not have this moment, thanks for having made the story with me. The people of Brazil is the reason why I can shine. Copacabana”. He also promised to give everything on herself and even crying, yearning: “Brazil, I’m ready! I want the world to see how big your hug is.”
Later, during the show, he passed the public in 2.5 million people and showed that it is the type that “easy intimacy”: “The last time, we are friends. Now we are a family”. The presentation ended (it began at 22:10) after two hours in the proscenium, surrounded by dancers, observing the fireworks; pulled bad Romance Capella, extending the ecstasy of the public with the closing music and concluded: “I love you, Brazil!” (“I love you, Brazil!”).
As a postulant for the greatest pop star of the 21st century, he conceived Mayhem As a show that can overcome Beyoncé’s historical performance at the Coachella Festival 2018. The Copacabanese version Mayhem on the beachIn turn, it was the mission of being more impressive than the presentation of Madonna last year in Rio. And it was, thanks to over 2 million celebrations, in a mix of carnival, LGBT and New Year (the fireworks played family members); Almost everyone in the cup seemed to have incorporated the classic verse of the Russian poet Vladimir Maiakóvski (then sung by Caetano Veloso): “people shine”.
“Mayhem” – chaos, tumult, in English – was only in the title of the show. The public of Pancarioca (people from all over the country, hit by the “skin” and by the “little monsters” of Rio de Janeiro colored the promenade with enormous energy, bodies and costumes outside the old standards, and violated young people. The spectators of Gagacabana were a show itself.
Stefani Ganotta, name of the baptism of Lady Gaga, was represented as the queen of this people. He sang live with the help of some pre -aggravated elongations and with the right to slip Grass bladeWhich positively shows that the voice has heard there was really. He did not spend much time before interacting with one of the musicians, the guitarist Tim Stewart, during Garden of EdenAnd a respectable Suhr T guitar branded on the band, mixing industrial audio elements with various pop recipes, highlighted the bassist Eric Ingram and the young drummer Tosh Peterson. It was he who played at the moment of the night most unexpectedly rock, starring an explosive solo at the end of the first act.
The show is five acts and defines itself as “the art of personal chaos”. It is difficult to give a rational sense of all that sea of information condensed by Gaga and the choreographer Parris Goebel. Begins with the singer who reads a little understandable “manifesto do chaos” (Okay, chaos is truly chaos), before shooting the visual impact of Bloody MariaFrom the top of a giant red dress that opened, revealing a cage with dancers. From there to Abrag AND Judah! (When he revealed another tribute to Brazil, a green dress with a yellow blue band). Act 1, Of velvet and deputy (velvet and addiction) There was also Bruna and Corsleta, sensualizing on a table in a table in Scheiße And it ended in a lesbian climate that was worth a very Carioca dial of “Gojtosa! Gojtosa!” and led to success poker facedanced in a large chessboard.
The second act, And he fell into the Gothic dream (and fell into a Gothic dream)started with Perfect celebritySeeds -large in the sand next to a skeleton. Then in IllnessOther skulls got up in the box and contracted with her. In PaparazziThey wore an armor in the singer, who got up and walked with crutches. Look at a huge planet Earth, she climbed a structure and was venerated by dancers with clothes similar to those of the Roman dressing gown. Then he reappeared in a counter that recalled Madonna in the avoidance phase, but with the extended Brazilian flag (in Mexico City, it was Mexico). It was the signal to play your classic success Alejandrowhich contains melodic similarities with a “Hungarian” rapia by Vittorio Monti Italiano and has been accused of being a “rip -off” of Ace of Base.
Criticisms of the traditional American newspaper VarietyA reference in the American entertainment sector, joked with the inexplicable plot of the Gaga show. The newspaper Times of Los Angeles Qualified, post like kook“Eccentric, crazy. Gaga does not come to explain, but in the thrill of the fans, it does not matter if their stays are derived, wide open to Madonna, Michael Jackson, Prince, David Bowie and other pop giants.
In act III: The beautiful nightmare that knows his name (The beautiful nightmare that knows his name) Gaga was multiple. Started from the percussive impact of Killah and a zombie-electro funk, Zombiboybefore relieving with success Do you die with a smile (shorter short without Bruno Mars) and Tayloriana (Swift) How much you want meWhen the dancers appeared with shirts of the Brazilian team (Cariocas’ burloni nailed as the “patriotic moment” of the show).
The fourth act, Waking up is losing it (waking it up is losing it)he discarded everything at the final goal, offering fans catharsis with the hymn Born in this wayin front of the back of the ballads Grass blade AND Shallow And the end “I go to guys” with sideways in you.
Mom very close to your little monsters? #Ladygaganomanultishow pic.twitter.com/91aegsews9
– MultiShow (@multishow) May 4, 2025
In the fifth act, the final from pop work, Eternal air of the heart monster (Eternal air of the monster heart)The princess of the sea was shaken with an apotheotic version of bad Romance – To formalize the nickname “Copaaga” in the annals of history. I dressed in joy for the whole week for the invasion of tourists Small monstersRio de Janeiro now has a different carnival (diversity) established in its calendar. This is historical for the truth.
In addition to the tribute to Brazilian fans, Gaga has made a special nod to the people who want just before the song Born in this waywhich has become a hymn for the LGBTQIA+community. “I just want to talk about my love for the LGBTQIA+ community here in Brazil. Thanks,” he said.
For the emotion with the show and the charm, it seemed that the Perrens passed by the public to reach the beach and having a good vision of the stage was worth it. About three hours before the presentation, the metro station of Cardinal Archoverde, the closest to the stage, was crowded. The flow of the fan was so intense that the corridors were congested, making it difficult to circulate. As they tried to leave, the passengers made a symphony of the fans.
Source: Terra
Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.
