Blanche Gardinin in the Comedy of Science Fiction? In the beautiful world to see the cinema

At a time when artificial intelligence occupies a central place in the debate, Giulio Caligari, one of the creators and the author of the script, will today reveal its first feature film: the beautiful world, the comedy of science fiction, wearing Blanche Gardinin.

This film happens in a very near future, where people are more dependent on robots. Max, with a former teacher’s refractory technology, lives with his daughter a little combination. He has a plan: he has been abducted by the state – ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– With this robot, who exacerbates him, he participates in his daughter and proves that he remains a little humanity in this world, which has become very technological.

Film Born from MIT Video

The idea of ​​this film was born when Julio Caligar discovered a robot video developed by MIT, which sends Walt to all the objects around him. “It reminded me of the device’s mistakes to eat workers Modern time Chaplin. Suddenly there was something very person in this robot who did not work and is a deeply burrical person in the confrontation/car.

There I immediately saw a charming comic character. The robot is essentially rational, first -degree, optimistic, social. I quickly wanted him to the human character, Max: frustrated, cynical, ironic. I needed this opposition to be inspired by comedies Francis Weber. What I miss most in the clown that misses you like Pierre RichardIt is not his inconvenience, but a leaky gaze Gerarde Depardiu. Max is a character I admire because he goes to the end of his ideas and takes into account life from the system. “

A Friend-Phil With a robot

Caligar adds: “For this first feature film, I also liked the idea to work with Buddy Movie’s codes, these scenarios from the 90’s, in its center, heroine, which agrees to leave her apartment to leave the roads … and not go back.”

At first it is resistant to robots, Max will eventually have a choice than a team, an old neglected robot, which is a bit of a learning from it. Teaching that echoes the recent animated film by DreamWorks Studios The Wild Robot, in which Rose becomes more man in the world around him.

Thus, Julio Kaligari offers an original reflection on artificial intelligence. Instead of showing classical anxiety -processes or dystropic vision, the director chooses the existence of robots in our lives with humor and humanity, based on the situation, gesture and language comic. The robot, despite the programmed and often absurd behavior, is gradually becoming a mirror of our emotions and the contradictions of our time.

Inspired by an absurd conversation to speak ai

On the creation of the to-do, explains the Caligar : “I first thought (Theo) officially, like the Gag’s apparatus. His unique gesture, his repetitive approach, almost the dog with his devotion, his mechanical reflexes, his pure gravity, his mistake, his dissertation, his dislocation, and his dislocations, so many comic doors.

To play Max, the filmmaker immediately thought of Blanche Gardin, whose direct phrase and pillars were characterized. “I told myself this scenario that it would be a dream for me that he is taking this role.

When he goes to the picture, he conveys him all over the iconography. His shows and humor were a huge wealth of Max, an unconscious background. He started this first feature film and touched a lot and worn. Beyond his acting activity, he naturally brought his author’s know-how, and stimulated it to transform the text with him. “

Throughout Lovely worldJulio Kaligar emphasizes how artificial optimism of cars can, in contrast, reveal our cynicism. Through an incredible relationship between a frustrated woman and a devoted robot, she questioned our attitude to new technologies (imagine the loss of a smartphone!) And the place they occupy in our lives, on our free will.

You have to see this trait in theaters currently.