Everything starts here: “There will be sabotage attempts” … Olivier Sytruki gives Castelmont skin return this summer

This is the return of étienne Castelmont here everything starts! Teyssier’s new enemy (Benjamin Barochi) is determined to restore the title of Best Cuisine School in France.

Alokine’s ability to write to the Castelmont translator Olivier Sitruk. But then, what does this criminal have for us in the summer ark? You have to be surprised … confident!

Separation: We are going to understand more about the obligations between Teyssier and Castelmont, because eventually we don’t know much yet?

Olivier Sitruk: Really not. We can’t find so much more. Historically, the only known reason is that Teyssier criticizes Castelmont that soft, very kind, flexible, and it is much more difficult. In addition, tension exists because there is competition, but there is no other main cause.

Going between them a dirty blow?

No, in fact, it will be a dirty blow itself first and foremost. This is a competition, so yes, there will be a sabotage, the charge. In the beginning, we will be suspected of Cardon or Castelmont. In fact, it will also be small subversive and we will often think if there is no third perpetrator.

Do we learn more about the relationship between Ferdinand and Estens?

They always remain tense. The story begins by Ferdinand, who planted a restaurant that I was funded, so it wouldn’t work well. After all, Castelmon needs Ferdinand to organize a competition. But his father does not recognize his son during the arch of this narrative. Tension is what will make their relationship interesting.

Is the USB key with videos and past?

In the beginning very little. Teyssier is in mind this case, so it is not in a state of compassion, whether it be with Ferdinand or Castelmont. But competition remains in the heart of history.

How is cooperation with Simon Dartos, who performs your child?

Great. Simeon is a very good actress and a big boy. What I was surprised was the right atmosphere, everyone had a very serious and investment. I’m probably the one who makes the most of you, but overall, it’s nice to work with them.

Did you know Benjamin before?

No, we have common friends, but I don’t think it’s already crossed. He came to see the room where I was playing, but we didn’t know each other before making movies. We find it well, which is important for this type of project, where everything goes very fast.

How do you manage to shoot days?

Intense, many texts, many discussions. I got up at six o’clock this morning and I already felt tired, especially after the weekend in Bujola.

Do you want to become a recurring character?

I don’t ask myself. Simeon is this story, so it depends on it. But I do many theaters in Paris, leaving a little time shooting. Playing two parts at a time, the more difficult it will be to shoot.