Attention spoilers! This article contains important revelations “”Secret(2005). If you haven’t seen it, it is best to stop here to make the final surprise intact.
The Great Austrian director Michael Hanke is an absolute master in the art of annoying and destabilizing his viewer. It brilliantly manages psychological tension, clinical coldness and moral ambiguity. His work is particularly distinguished by its minimalist erection, but with strong efficiency.
A hidden, excellent example published in 2005. The film tells the story of a French bourgeois pair, Georges (Daniel Autuel) and Ann (Juliet Binoch), whose daily life is outraged by mysterious video cassettes. These pictures of their home are taken without their knowledge, often for several hours, without the accompanying messages. Very quickly, these records are becoming more and more personal, leading to a problematic past that Georges believed in the funeral.
Less violent than other director films, Secret Nevertheless, it is disturbing. Michael Hanke It puts constant tension without the use of classic thriller art. The danger does not come from the killer who rises in the shade, but rather the psychological insecurity caused by the termination of the past. Anxiety arises due to the absence of an explanation, the film’s refusal to get clear answers. The viewer, like the characters, is trapped in the mysteries that he does not know.
As whatculture reminds us, in the heart of this discomfort, the character returns to enhance the conscience of Georges: Majid (interpretation is Maurice Beinchu). As a child of Algerian descent, Majid temporarily collected Georges’ parents after the tragic disappearance of his parents in Paris on October 17, 1961. But Georges, who was still young, was deceived by the expulsion of the house, the fear or jealousy, so she sealed the latter’s difficult fate, thus condemning her difficult life. This shameful past, Georges, repressed and never received it.
A shocking sequence
One of the most amazing scenes of the film – and perhaps one of the most amazing deaths of the 2000 cinema – Majid calls Georges in his modest apartment. The scene, with great visual vigilance, does not contain dramatic music, is not an index that will announce the drama that will happen. It happens in the silence and banality of everyday life. And yet, without screaming, Majid died of Georges, cut his throat with a knife. The gesture is cruel, dry, unexpected. He freezes blood, not by his schedule, but by what he has shown: the silent explosion of his whole life, marked by refusal, crime and forgetting.
At the same time, it suddenly becomes dead without the slightest warning of crime and trauma, and this scene is a way to succeed in the success of a sudden death in the cinema and surprise the viewer forever.

This suicide, free or spectacular, far away, enhances the film’s tension and acts as a cruel mirror, in George and the audience. The scene is both the highest point of the story and the refusal of resolution. Because SecretA loyal of aesthetics Michael HankeWe do not offer guilty, soothing, comfortable conclusion. The secret of the cassettes is never explained. Was Majidi? Was it his son? Was the stranger a third party? The film voluntarily leaves these questions unanswered, leaving everyone’s interpretation.
SecretHe worshiped criticism (who granted him a note of 5 to 4.1) and a little less society (5 to 2.7 on our site) is a lesson about suspicion and discomfort. The feature film shows how the past is happening, even repressed, even forgotten, always ending with re -origin. And how the truth, sometimes, does not reveal itself, but it feels like an appearance, gestures, and, above all, something that remains … hidden.
Hidden should be considered on Mubi or Vod.
Source: Allocine

Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.