Nothing to worry about TF1: Fauve Hautot plays its role

This Monday, August 25, TF1 will offer viewers the first two episodes that have not been deleted, its new mini -series events.

Adapted from Michelle Bus’s episodic novel, this fiction follows Mad, representing Gendolin Hamon, a bruised mother, who, two years after the tragic death of her son’s Esteban, meets the Tom, the little boy who likes it strangely.

He was interested in living in a living to get to Tom to get closer to Averg. He quickly discovered that in addition to physical similarities, Tom has memories and visions of souvenir d’Esteban.

When the series of murders shakes the peaceful region, Maddy cannot help, but asks: Are these events to the death of her son? Who is truly Tommy and what is his connection to Esteban?

Nothing to get rid of, Fauve Hautot plays a Sabine, Town Hall employee who will help Mades seek the truth. For this occasion, the dance dancing stars who became an actor were convinced of this demanding role in the microphone.

Separation: How was nothing shooting to get rid of you?

FAUVE HAUTOT : The shooting went very well. I was especially happy to work with director Jerim Cornua. He was the man I met a few years ago.

He knows how to address his actors and he is a person who works a lot. I was really sure. Nothing deletes, my first big project is an important character and I have been able to play a great freedom.

It was very nice to experiment with him because I knew I was in an environment in which I felt safe.

You play a lot of scene Bruno Debrandt. How was the cooperation?

The relationship with Brunos was pretty cool. There is really contrast between us in energy. There is a comic aspect that was naturally resolved between us and which was not planned at all. I love the character traits a little.

So, do you prefer to play the role of a composition rather than a character that looks like you?

Yes, that is. I love to find out who I am. It is much more interesting to go and play something else. But I realize that each role still leaves intimate on the one hand. You create and create your character, but there are still many things that belong to you.

Do you see that you are going back to the camera?

For the shows I have been working on, I have been drawing plans for my sequence for a long time. As a choreographer, I know exactly what I want in the picture. I know what movement to take and how to shoot it. Because of this I have a real passion.

I also make small sketches, drawing a dance field with little boys. Then I just have to tell the director what to do, he visualizes and sometimes adds things. This is what is excellent. This is a real team work.

I like realization very much, but to say that I will go back to the camera … Life is long and that is what is fabulous. I can still learn things, be curious and dare. Yes, maybe one day I go back to the camera.

Interview with Chamsa Tuns-Chabdra in April 2025, in the Kanester Festival.