https://rollingstone.com.br/entretenment/sucesso-em-beetlejuice-eduardo-sterblitch-se-define-como-a–artista-completo-sei- make-dudo/

Eduardo Sterblitch (The Auto da Compadecida 2) Appeared on TV ripping easy laughs with a silver version of the singer Freddie Mercuryfrom Queenamong so many fun characters. Since then, he has never stopped: he participated in reality showpresented programs, was invited, commentator, juror, had his own talk showshe starred in soap operas, series, movies and so on.

Now, Sterblitch also stands out in the musical theater, with works in An almost perfect nanny and Beetlejuice: The Musicalwhich ends another season in Rio de Janeiro this Sunday (21) – tickets go on sale – and prepares to start a new ticket in Sao Paulo, starting October 3.

In an interview with Rolling Stone Brazil, Sterblitch revealed that, involved with theater since childhood, he always understood that, to be “A good actor, a good artist, had to be a complete artist”:

“I’ve always ran behind to try to learn as much as I could learn. I can’t just do musical or soap opera, these things. I can also put on light, I know how to make a scenario, I can shoot, I can make vignette, I can do jingle. My goal is just not unemployed.”jokes.

Inspired by Ghosts have funclassic Tim Burton 1988, Beetlejuice: The Musical account history of Lydia Deetzwho moves to a new home, after the death of his mother, and eventually meets a playful spirit, who wears a striped suit, meets by the name of Beetlejuice And it has evil plans to inhabit our world again.

Despite the renewed cast for the new montage of the musical, Sterblitch returns to the role of the fun villain and, despite being inspired by the character created by Michael Keaton (Birdman) In the big screen, among other versions, the actor abused his dominance of the text to “abrasile” the mocking spirit, which makes his version a show apart:

“There are a lot of people who are afraid of improvisation. In fact, improvisation is a device for you to put life in the text. Because life is improvisation, isn’t you? You don’t think to breathe, to speak.”evaluates. “The talent of escaping the text is who is very inside the text. It is no use wanting not to have the text. It is not to run away; it is to deepen to the point of being able to do whatever you want with it.”

In addition to Eduardo Sterblitchthe cast of Beetlejuice: The Musical still has Pamela Rossini as Lydia Deetz, Ivan Parente as Adam Maitland, Clara Verdier as Barbara Maitland, Fabrizio Gorziza as Charles Deetz, Sabrina Korgut as Delia Deetz, Rosana Penna as Juno, Duda Carvalho as Miss Argentina, DIEGO BECKER in the roles of Maxie and Otho, Larissa Queiroz as Maxineand Giovana Sassi as Skyeamong other talents.

SERVICE:

• Location: Freedom Theater (Rua São Joaquim, 129 – Freedom)
• SEASON: From October 3rd to November 30
• Sessions: Wednesdays, Thursdays and Fridays at 20h | Saturdays at 4pm and 9pm | Domingos at 16h and 20h30
• Ticket prices: From R $ 21.18 (popular ticket, half) to R $ 350,00 (premium, whole audience)
• CLASSIFICATION: 14 years
• DURATION: 2h30min (with 15min interval)
• Points of sale:
  • Sympla

  • Physical box office

    • Tuesday to Saturday: from 13h to 19h

    • Sundays and holidays only on shows of shows until the beginning of the presentation.

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A publication shared by Beetlejuice: Ghosts have fun the musical (@beetlejuiceomusicalbrasil)

• Beetlejuice: The Musical

• Eduardo Sterblitch