The film ‘Pedro’s Journey’ modernizes the emperor’s story by giving space to blacks and women

Long by Laís Bodanzky, starring Cauã Reymond, fills the historical void by portraying the monarch’s journey to Portugal after abdicating the throne

Boy, Cauã Reymond was d. Heroic Pedro in a September 7th children’s game. Now adult, he returns to the character, but to deconstruct him. The project on d. Pedro I started nine years ago, in collaboration with Mário Canivelo, who co-signs the production. At that time, Cauã was already thinking of a director to perform the deconstruction. Five years ago, right after driving Like our parents, Laís Bodanzky entered the scene. The script had some versions that have been dropped – Lais signs it. The chosen cutout already opens up the intention.

Split

By mutual agreement, the stellar director and producer – Cauã is a star in the eyes of the public and a true actor for any critic willing to endorse his performances – chose what in the film’s credits. Peter’s journey, which debuts Thursday 1st, is defined as a historical gap. There are not many records of Pedro’s return trip to Portugal. Expelled from Brazil, he returned to his homeland to fight with his brother Miguel. In Portugal, he became d. Peter IV. He tried to secure the throne for his daughter. The feminine aspect. In the ship, Laís placed the Brazil that Pedro was leaving. He put blacks, servants, slaves. “No matter how fictitious the structure may be, what they say has a historical basis. These are evidences we find in the documents. These blacks had arrived in Brazil aboard ships. In Rio there was Little Africa as a landing station. and sale for the blacks, the slaves. Back on the ship, they did not return to Africa, but in another season of their imprisonment “, Laís says.

He had a lot of debates about the film. “The best were with the blacks at the table and in the audience. They received the film differently, with a more superficial sensitivity to the problems they face.” And Cauã: “This Pedro is one of the most complex characters I have ever created. He is contradictory, epileptic. He went down in history as a lover and strategist, but he is powerless and he misses his wife, Leopoldina, yes, the strategist of Independence , with José Bonifacio “. To complicate matters, he lost his mother in the process. She was even more fragile. On the boat, Pedro can be generous with his servants: he gives a precious gift to a black woman. “Liberality in him is vanity. When he feels cornered, he is a despot, authoritarian.” The look, in addition to being feminine, is modern, linking the film to the present. “The film is about structural racismin toxic masculinity, and these are topics we need to discuss more and more. Culture has been criminalized, marginalized in Brazil. I am for culture and democracy “, reflects Cauã.

Connection

In Laís’ work, Pedro is linked to Neto, a character in another of his feature films, Seven-headed beast, 2001. “There’s a connection. Films travel in their heads, but now I share Pedro’s sickness, madness, more with the viewer,” explains the director. “To the insectthe asylum system, it was the family that was sick. “There is no way to avoid the question. It is an arduous, claustrophobic film, almost entirely inside the ship. It demystifies his character: the episode of the statue is done tailored to show it Pedro’s film is the opposite of that of the official historiography. It was shot on a frigate that is a museum piece of the Brazilian Navy. Leaving Bahia and following the coast, it arrived in Niterói and Santos. But not all it was shot inside.replication was built in the studio, the cinephile must remember that And the ship goes, when Federico Fellini, in the end, revealed the device that made the ocean liner swing. A spring in the sea of ​​cellophane.

How the traquitana worked Peter’s journey? “The set was suspended with cables and manually shaken from the sides,” says the director. During her daughter’s vacation, Cauã went with her to Nicaragua to surf. on TV, come on Globehas just released the second season of iron island. “I really enjoyed working with Afonso Poyart. I love the way he uses technology, the way he films action. We became friends.” Two projects on the high seas. Didn’t Cauã get seasick? “Surfing has nothing to do with that. Balance on the board or on a boat are different things. But I didn’t swim, no. It’s a matter of physique, of DNA. Of the whole team, just me and a cameraman does not swim. “

Source: Terra

Emily

Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.