The movie “Blonde” is a potpourri of Marilyn Monroe’s worst moments

Andrew Dominik’s feature film with Ana de Armas brings nothing new about the star

The journey was torturous blondeadaptation of the novel by Joyce Carol Oates from Marilyn Monroeto the screen. Noemi Watt then Jessica Chastain they would play the star. Subsequently, the film earned an NC-17 rating in the United States, which is the highest and forbids entry to anyone under the age of 18. Netflix wanted changes, what the director Andrea Domenico denied. The streaming platform took the production out of the competition Venice Film Festival last year. Subsequently, the film was not accepted by cannes due to the law that obliges the exhibition in French cinemas. Anyway, blonde premiered on Thursday evening, 8, at the 79th Venice Film Festival, one year after the original date, surrounded by much anticipation.

The assessment seems a bit absurd, apart from a scene from sexual violencethe movie has the same sex scenes and a little more nudity than Do not worry dear.

Dominick decided to focus on the trauma. We see little Norma Jeane (Lily Fisher) growing up with her mentally unstable mother Gladys Pearl Baker (Julianne Nicholson). The father, unknown, never appears – in the film, he hovers all the time, without ever being there.

Back then, already lived Ana de Armascomes his entry into the world of cinema marked by sexual violence. Her truest relationship, a threesome with Cass Chaplin (Xavier Samuel) and Eddy G. Robinson Jr. (Evan Williams), is a moment when Norma Jean can be herself. But she ends up under the pressure of the studio.

Then, a succession of tragedies: marriages with The former athlete (former baseball player Joe Di Maggio, played by Bobby Cannavale) and with the playwright (Arthur Miller, played by Adrien Brody), relationship with President (John Fitzgerald Kennedy, role of Caspar Phillipson), natural and forced abortions, drug addiction, premature death from a barbiturate overdose at age 36.

It is almost three hours of almost breathless doom, which suffocates the character, but also the viewer. Eventually, instead of lighting up the Norma Jeane which was buried by the character Marilyn Monroeas apparently was one of the intentions, blonde he reduces her to a tragic woman with a childish voice, who died young.

Marilyn Monroe by Ana de Armas looks a lot like Marilyn Monroe in photos and movies. or the characterization work is phenomenal. But there is no life there.

Perhaps it has to do with Dominik’s decision to rely heavily on the actress’s iconic photos, showing behind the scenes that would give more context to what was captured in the still image. For example, in the classic photo of the subway vent raised dress, she shows a crowd around monstrous and menacing men.

But the film jumps from photo to photo, from tragedy to tragedy, without focusing on anything. He fails to show the duality between real person and character and trauma and the absence of a father as determining factors in his choices. Everything is brushed, fragmented, a potpourri of the worst moments in Marilyn Monroe’s life. we departed blonde without understanding anything about the actress or the company that produced her as an idol.

For a three-hour movie, that’s a big deal.

Source: Terra

Emily

Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.