How The Northman’s Biggest Sales Ended Up Being Its Biggest Box Office Fight

Blood, fire and fate. These three elements revolve around Robert Eggers’ films, borrowing from the old to create something new, striking with its authenticity and driven perspective that can only come from modern times, but with a sound that is clearly felt. Out of.

Eggers Last Movie, northern manThe Viking saga of revenge and love is another example of this. This is, according to history experts, the most accurate Viking story ever published on screen. It is also the Egers’ biggest film, selling mostly individual options. The magician (2015) and Lighthouse (2019) for extensive epic abundance over many years and in many countries.

But more importantly, in terms of its context in our modern cinematic space, northern manLike Eggers’ two previous films, it’s a genre film, and these three elements, Blood, Fire and Fate, are inherent to the genre and now to the unofficial Eggers trilogy. He does northern manIts place in our current space of cinema and pop culture, dominated by genre films and essentially tales of fairy tales and myths of high presupposition, is intriguing, especially when considering the fight of the film for converting into taquilla despite the acclaim of the critic.

Outwardly, the story of Amlett (Alexander Skarsgდიrd) seeking revenge against his father Aurvandil (Ethan Hawke), rescuing his mother Goodrun (Nicole Kidman), killing his uncle Fოლllnir (Kles Bang) is simple. At the same time, he also re-narrates the original film’s soundtrack. villageOr the proto-narrative about Shakespeare was inspired by the legend of Amlet, so much so that he only advanced the last letter.

it’s not good northern man This is a remake rather than Eggers and co-author Sjoni digging into familiar texts like many of our modern blockbusters do. no matter how much they talk northern man Like the original film, which left a large audience indifferent, it’s not necessarily the original story. That’s not to say the storytelling isn’t excellent, just that Egers’ style and precision approach are original. Even with their different approach, northern man Eggers is the most accessible and people-friendly movie. (However, the historical epic only generated $24.9 million worldwide, out of an estimated budget of $90 million.)

I would say that perhaps with the childhood love unconsciously born from the comics he ended up leaving behind, as noted in the New Yorker profile, Eggers made a film that should have been Marvel-era cinematic charm rewarded. An audience that has spent ten years at the altar of Chris Hemsworth Torah and others, enriched by experience that speaks to our need for heroes and sagas. Even the title of the movie, northern manOffer something superhero, for example. bat ManAn attempt to contact Proto-Ubermensch, who is directing the film.

Classification northern man As a genre film, it’s something that was rarely mentioned in discussions prior to the film’s release. It has been dubbed by critics and viewers from historical drama to art cinema. At first glance, he hesitated to say northern man Fantastic, it will be because of the desire to make a movie The majority Serious, or separate from sword and sorcery movies like Dragonkiller (1981) or beast (one thousand nine hundred and eighty-two).

Although, northern man It’s a film made of witches, visions of the past and the future, a bloodthirsty mystical sword that can only be wielded at night, Drag, Valkyrie and the culmination of an all-metal climax at the foot of an erupting volcano. It is so peculiarly imaginative that it can be placed on a shelf next to Peter Jackson. Lord of the Rings Trilogy (2001-2003) and John Burman excalibur (1981).

I’ll go a step further and say northern man not so different war of the galaxies In terms of its elements, its themes, and its commitment to Joseph Campbell’s framework A hero of a thousand types. It is worth considering how many viewers the film would have attracted from the start if this context had been accepted. No, the cost of the film is not determined at the box office, but northern man In essence, it’s the R-rated version of the genre films we’re discussing right now, and with the focus on old wood carvings and graphic diagrams, the closest egos are likely to head to filming comics. film.

reluctance to call northern man The talk of “theme park movies” is as difficult as talking about all “high horror” or trying to describe horror movies in other terms, like “social thriller”, “black comedy”, “psychological”. Drama with supernatural elements. It’s fun to see filmmakers and viewers trying to test a film beyond the genre, which also consists of Schloc.

Still, the whimsy of Egers’ films is key to what makes them so compelling, and the filmmaker isn’t ashamed of it. The magician It is the story of becoming, ascending through self-reliance and the soul’s struggle to choose (“Do you want to live deliciously?”) in the context of a larger game played by God and the devil. similarly, Lighthouse It is a tale that transforms various mythologies and belief systems, from Scandinavian and Greco-Roman mythology and Christianity into a true clash of the titans with a man trapped in the midst of their ancient gods (“How long have we been on this rock?”). As horrible as it was, it was easier for these two movies, especially The magician perceived as a genre. But northern man He finds himself in an awkward situation where he had to be justified as an experiment with overfunding or an audition for a franchise movie, though neither.

Interestingly, Eggers’ career as a filmmaker, taking on myths and tales and portraying them to audiences, comes at a time when we see an influx of IP work ending up in the cinematic worlds of Marvel and DC. Game of thrones s Sorcerer divisions. Of course, some will argue that Eggers’ work goes against that, striving for other forms of entertainment for a living. But what adds weight to me is the notion that the Eggers movies are a complement to these larger IP movies that work with our superhero and Jedi stories. In fact, Eggers and the projects that make up our most popular form of entertainment were taken from the same source, and watching one of Eggers’ films is a reminder of where these popular elements originated and where they were founded. We simultaneously see the future of genre films and ur-text, giving us a window into storytelling like never before.

There has been a lot of discussion lately about Eggers’ past commitment to making films and what that means, with some arguing that this approach limits the diversity and inclusion of his films. However, Egers’ ability to make the past accessible makes him so crucial today, and there is such an essential voice in our modern American myths with capricious heroes and lightsaber-wielding wizards. When asked about the decision of all of his films made by Sam Knight in the past the New YorkerEggers quotes the poet John Dryden: “Humanity is always the same and nothing is lost from nature, but everything has changed.” I think that says a lot about what Egers is saying about us as modern people, but also about how we interact with his films and films that have a more familiar brand or studio logo.

So much to enjoy about our altered myths, the tattoo, Gotham City, Earth-616, etc. About fantasies. But the fact that we can see the past of our history, the tales that made us the creators of myths and on which we can use them, not unlike the world tree built on heart and veins, Yggdrasil, which connects the amlet to their ancestors, is essential to our humanity. And he understands what we value and why. northern man It’s not diametrically opposed to our modern cinema and pop cultural landscape, but it is an invitation to see these flights of fancy into the realm of genre not as studio content, but as a legacy of our shared history.