Admirer of the cinematographic genre, Slash even gave details about how his passion for horror films began
slashlegendary guitarist Armas e Rosasknown for his musical talent and passion for horror films, recently revealed the movie classic that really scared him.
In an interview to NMEthe musician shared his frightening experience with the first version of Night of the Living Dead(1968), describing it as visceral, raw, and heartbreaking. “I found it quite disturbing,” he confessed.
In the interview, slash he also commented that his passion for the film genre began in childhood, when he lived in Smoke-On-Trent. “There were only two TV stations and movies were shown at certain times during the day. […] people like Vincent Price, Peter Cushing It is Charles Laughton – all these British horror icons… I just fell in love with it 100%.”
When asked about the soundtrack composers who inspire him, slash mentioned names like John Carpenter, Hans Zimmer It is Danny Elfman, whom he described as “a genius”. He also praised less conventional composers such as Hildur Guðnadóttir (joker) It is Johnny Greenwoodguitarist of radioheadwhose creation for the film black blood (2007) he considers one of the best of the last 20 years.
slash made yet another revelation, this one related to his adventures as a video producer: “I don’t want to give too much away, but I’m also doing a very exciting TV series in England. It is an adaptation of a great book. You’ll find out what it is when the press release comes out.”
In March of this year, the magazine Varietyrevealed that the guitarist was acquiring a video production company called BerserkerGang. For the new business, he allied himself with the executives of Raven Banner, Michael Paszt, James Fler It is Andrew T. Hunt.
Source: Rollingstone
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
