Celebrating 50 years of solo career, the artist participated in the commemorative program of the 60th anniversary of TV Globo. Take a look at the salient moments of the interview
Ney matogrosso was invited to Conversation with Bial Thursday 24, as part of the commemorative program of the 60th anniversary of the Globo TV. At 83, the artist celebrates 50 years of solo career, including the Biography Premiere Man with h In theaters, May 1st. The program is now available in full on Globeplay.
Pedro Bial He received the artist as “someone who can talk about music in the kingdom of the image”. Ney presented his version of the classic Like two and twoComposition of Caetano Veloso immortalized in the voices of Roberto Carlos and Gal Costa.
The conversation approached the artist’s trajectory, his irreverent personality and sexual freedom. He also faced the relationship of Matogrosso with TV, the soap opera marked by his voice and the theatrical and unique performances that eternalize his career.
“Nobody has ever sung and dressed as I wore. Nobody had sung with a hidden face like me. I think they were arousing people very much,” said the artist. Painting his face was a way to “save the displeasure of not walking on the street, because they said that the artist was not on the street. How would I lose the right to walk on the street at 31 years old?” Ney said.
He remembered the classic musical of Dry and wetdisplayed by Fantastic In the 70s and responsible for the repercussion of the band on a national scale. “The story began there, he exploded. They had never seen him.”
At the time of registration, he says, a director said they shouldn’t watch the camera. “I looked at the boy’s face and said: ‘I intend to look.’ Because exactly what I meant, being on television, was seen and communicating with people.
The file was lost in a fire, but fortunately another recording, made for a program of Mexican Sunday in the studies of the deceased Tv Tupi, survived. The video is served as a basis for a biography scene that reproduces the presentation of Latin blood.
The actor Jesuit Barbosainterpreter of the artist in Man with hHe made a special participation in the interview. “I realize that there is something very genuine in the corporality of this man forever. And this appears in Ney’s work in a very clear and very beautiful way of seeing. And I always wanted to be what I was, not to put ties,” said Bial.
The two watched the film ready together, side by side. “He cried. I had to affection,” Matogroosso joked.
Speaking of his sexuality, the artist commented on the accusations he receives. “I have no momentum within me, for example, to go to the gay parade. I don’t feel that need. What do I want to expose myself more than I have already exposed? It is not necessary. I do not raise the flag. I am the flag,” he said.
Bial also stressed that Ney Matogrosso is the greatest living interpreter of the opening of Soap Opera, with eight songs. The first was Corazón BanditMade for the soap opera Married farewellwho finished not to debut to have been excluded from the censorship of the military dictatorship.
Information on the period, the artist says he does not understand, to date, like the strong letter of Spring in the teethby Dry & Wet, it was released, while the track There are hungry people He exceeded the strengthening of the military in 1985, after several attempts.
Currently, the artist’s unmistakable voice is part of the soundtrack of Everything is trueSoap Opera Globo 21h, in an interpretation of Almost a second, Written by Herbert Vianna and recorded by the Paralamas do Sucesso, Cazuza and Gal Costa.
Source: Terra
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
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