The trio overputs’ headphones on ‘on the instrumental base of Janet Jackson’s’ Til’ Til ‘, which, in turn, Joni Mitchell’s’ Big Yellow Taxi’ Samplea ‘Big Yellow Taxi’
THE Haim performed a performance that crosses generations in its latest participation in the BBC Radio 1 Live Lounge. For the moment cover of the mini-set, the trio chose “Headphones on”single from Addison Raeand gave a special touch to the track. With Danielle Haim In charge, the group merged the music with “GOT ‘TIL IT’S GONE”from Janet Jacksonlaunched in 1997. The song, in turn, brings a sample of the classic “Big Yellow Taxi”from Joni Mitchell.
The verse of Rae – “You can feix what has already been broken / you just have to surrender to the moment” – perfectly matched the striking line of Jackson and Mitchell: “Don’t It Always Seem to Go That You Don’t Know What You’ve Got ‘Til It’s Gone / Joni Mitchell Never Lies. “In the final minute of the presentation, the sisters plunged into a levada Bluesy and ended the performance with an engaging groove.
During the Live Loungethe Haim also played “Down to Be Wrong”track of the recently released album I quit. According to Rolling Stone American, I quit It is “much more cohesive, a cathartic concept disc on ending and the independence gained with them.” The magazine also pointed out that the Haim “He has always been a scholar of classic rock, and you can hear echoes from great bands that came before them throughout these songs.”
The launch of I quit It happened a few weeks after Addison Rae debut your first album, Addison. According to Rolling Stone“in Addisonthe eclectic intentions of Rae They are clear and direct. She seeks to create a distinct and dreamy sound landscape that gives life to her moodboards and, of course, make fun music for people to dance. ” Rae joined the Haim at a show in Los Angeles, where he danced during the live debut of “Blood on the Street”track of the new album.
In an interview with the magazine ID, Alana Haim He said this is “the closest we have ever come from the sound we always wanted to have.” She also described the recording process as “a completely different experience” compared to previous albums.
This article was originally published by Rolling Stone USA by Larisha Paul on June 23, 2025, and can be checked here.
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Source: Rollingstone
Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.
