Rock in Rio: CPM 22 makes an emotional journey in the 90s

Rock in Rio: CPM 22 makes an emotional journey in the 90s


Badauí welcomes Sérgio Britto, from Titãs, to the stage and shows that the two think differently

There was a desire in the air from the first song. Badauí, at the helm of CPM 22, as he did at Rock in Rio in 2015 and 2019, spoke to a generation or two earlier about what he was in ’90s shows, but that didn’t seem to alienate him from the audience. It was a show, as he had promised before, to the reporters of Multishow, full of the obvious and with some surprises. The spinning world was there, as well as the slaves, I am wary and I don’t know how to live without you.

The return of rock to the festival began with CPM 22 Photo: MAURO PIMENTEL / AFP

A surprise was seeing him sing with Sérgio Britto, of Titãs. Tudo Vale a Pena (Se a Alma Não é Pequena) are a good rock group formed in collaboration with them, which ended up being followed by the titanic Sera Que é Isso que Eu Necesto? (which may well have been corrected after so many years in “does it say I need it?”).

Britto arrived with the desire to praise his companions, but he almost made a noise. “They are the best band of their generation,” he told the audience, leaving Badauí embarrassed. “Even if there is no best or worst in music in music.” And Britto replied: “Oh, for me yes”. Britto left after his appearances and the group regained control, with Dias Atrás, all very heavy in the hands of the new drummer, Daniel Siqueira, who replaced Japinha, who left the band in 2020. “A country that values ​​the culture ago no guns are needed, guns kill people, “said Badauí, before introducing bassist Ali Zaher and founding Um Minuto para or Fim do Mundo. Bets and Certainties, Inevitable, October Afternoon, all sung by several voices. CPM, more than 20 years on the road, has captured the recording industry still in full swing and benefits from it to this day. Its existence is a grateful emotional memory.

Source: Terra

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