Criticism of ‘Cinco lobitos’, the great winner of the Malaga Festival
Criticism of ‘Mirror, mirror’, the new comedy by Natalia de Molina
Review of ‘The weapon of deception’, with Colin Firth
Criticism of ‘Assassin’s Game’, the return of Joe Carnahan
Criticism of ‘JFK: Case reviewed’, Oliver Stone’s return to Dallas
Criticism of ‘Father and Soldier’: Omar Sy embodies the hell of French colonialism
Criticism of ‘The tailor of the mafia’, a return to the 50
Criticism of ‘Corten!’, the zombie horror comedy (cinephile) that opens Cannes 2022
‘L’Envol’ review: Pietro Marcello brings hope and magic to Cannes 2022