Criticism of ‘Vaca’, the documentary that won the award for best editing in Seville

Criticism of ‘Vaca’, the documentary that won the award for best editing in Seville

The life story and work routine of a cow on a livestock farm are the stars of this documentary by Andrea Arnold.

Closer to Franju’s ‘The Blood of the Beasts’ (1949) than Kossakovsky’s ‘Gunda’ (2020), ‘Cow’ is the life of a macro-farm cow told by herself. The most admirable thing about Andrea Arnold’s documentary is her work on point of view: the camera attached to Luma’s body, at the height of her bovine gaze, subject to human exploitation, in a labyrinth of unnatural metal corridors. From a rigorous treatment of subjectivity, Arnold humanizes this cow with no future to make her story a tragedy.

The director of ‘Fish Tank’ (2009) and ‘Wuthering Heights’ (2011), so prone to harsh lyricism, observes Luma’s day-to-day as she did with her previous heroines, chained to a system they don’t understand, longing for a freedom that they identify with nature. The Bressonian donkey of ‘Al azar, Baltazar’ (1966), who contemplated the miseries of the human with the clear gaze of a martyr, becomes here a ruminant who suffers plainly, who only has eyes for the sad life that awaits him , who does not feel sorry for anyone; which is, in short, our own image crushed by capitalism that animalizes us.

For those who want to be cows for a day and suffer a lot.

The best: his work on the point of view, which humanizes the animal and animalizes the human.

The worst: the use of some pop musical counterpoint doesn’t always work.

DATA SHEET

Direction: Andrew Arnold Original title: cow Country: United Kingdom Year: 2021 Release date: 08–04-2022 Gender: Documentary film Duration: 94 min.

Synopsis: It immerses us in the vital trajectory and work routine of a cow in a cattle farm.

Source: Fotogramas

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