Restorative justice: releasing emotions through speech
Director Jane Harrymet in Bordeaux, states that “ his task is to dig and tell the world and illuminate a place of reality that exists and that is not fantasized “. Already inside Student, approached childbirth and adoption with no minors. In I will always see your facesbrilliantly illuminates the viewer about restorative justice, which has existed in France since 2014.
This little-known system offers victims and offenders, all volunteers, the opportunity to have a dialogue in safe places, supervised by professionals and volunteers. However, the director subtly avoids the documentary trap, preferring “ plant seeds of fiction in this auspicious playground “. Because he really manages to bring the protagonists to life thanks to the sharing of the feelings of the tender characters.
Thus the viewer discovers the approach alongside Michel (Jean-Pierre Darroussin) and Fanny (Suliane Brahim), prison consultants for integration and probation. Supported by the benevolent gaze of Judith (Élodie Bouchez) and Paul (Denis Podalydès), they meet the inmates who lend themselves to the game and animate detainee circles – victims.
Despite the distance required for their mission, everyone is on the move their doubts and sharing their experiences. Because it takes willpower and self-sacrifice not to judge these inmates who will meet, not their victims, but victims of the same kind of acts they committed.
understand and forgive
Thus Jeanne Herry shows the sessions behind closed doors, filming faces and looks. She lingers on the bent bodies of the victims who will gradually find their ease and regain the taste for life. The director wisely reverses clichesince he chooses to show rather aggressive victims with inmates.
Grégoire (Gilles Lellouche), Nawelle (Leïla Bekhti) and Sabine (Miou-Miou) talk about the fear they felt long after and don’t forgive what they’ve been through. Nassim (Dali Benssalah), Issa (Birane Ba) and Thomas (Fred Testot), all convicted of robbery with violence, rather hide. They seek explanations for their actions and life choices when the victims dismantle their arguments.
What is well shown in I will always see your facesit is the mutual ability to listen and understand that it finds a common vibration and facilitates the path from one to the other. The word “understand” is also frequently used in the film, causing Jeanne Herry to acknowledge that she ” must ofbe a bit of a teacher, finding it nice that everyone makes their own subjectivity feel But even if the prisoners have been prepared for this process, the idyllic end of their awakening in this first part of the film is less convincing.
The saving word
The director offers the viewer the opportunity to discover the other side of this device, restorative mediation. This second storyline fits into the first, through Judith. She makes the connection by responding to Chloé’s (Adèle Exarchopoulos) request to meet her incestuous brother. Again, the volunteer base isn’t an easy sign, as Chloé finds herself thrust back into her adolescent emotions.
But he bravely faces his bad traumatic memories, resonating with the boxing metaphors used by Jeanne Herry on this instrument. I will always see your faces so it turns out A exciting and courageous public utility filmwhich encourages society to go against prejudices and to reflect on the weight of the voices of victims and detainees.
I will always see your faces by Jeanne Herry, in theaters on March 29, 2023. Above the trailer. Find all our trailers here.
Source: Cine Serie
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