Martin Scorsese in Cannes
The flower moon killers was the event of this 76th Cannes Film Festival. For a long time we have hoped (and Thierry Frémaux the first) that the new film by Martin Scorseseproduced by Apple TV+ but released in theaters on October 18, 2023 before being published on the streaming platform, it would have participated in the official competition. But it’s fine out of competition in which the feature film was presented world premiere this May 20, 2023.
Besides the fact that a Scorsese film is always an event in itself, it is still special. Before for the meeting of Robert DeNiro and Leonardo DiCapriohistorical collaborators of the director, who had already given the answer in Secret wounds (1993) and simple secrets (1997) – but never in a Scorsese film. Then for its subject, which allows the director to retrace a part of history. More specifically that of America and Native Americans in the United States.
The flower moon killers : flawless work
The story of The flower moon killers it is based on the book The American note by David Grann (also author of The Lost City of Z adapted by James Gray in 2016). Wears the Osage tribe who, in Oklahoma, found oil on his land. People then became rich.
But in the 1920s, William Hale (Robert De Niro), rancher and false friend of the Osage, organized the murders of several members of the tribe to recover these lands. Before he convinces his nephew, Ernest Burkhart (Leonardo DiCaprio), returned from the war after having occupied a simple post of cook, to seduce and marry an Osage, Mollie (Lily Gladstone). Because thanks to their union, Ernest will be able to inherit his land. Assuming all of Mollie’s family members (and many others) “accidentally” die…

Martin Scorsese has not skimped on the means (those of Apple) to stage it great historical fresco hidden behind a crime film. The director offers a superb recreation of the era as Hollywood no longer does. Nothing new in itself for the director ofAviator OR New York gangswhich here demonstratesflawless mastery.
Hard to find fault with the a shape The flower moon killers so much the director knows how to do. During most of his film, he leaves a dark atmosphere, where danger at every corner for the Osage it is particularly reflected in the music, with the rhythm of a recurring bass line accompanied by the harmonica.
A cast of choice in the service of the Osage
However, behind Visual quality up to expectations, The flower moon killers it is above all an important job for promote Native American culture (as we have rarely seen), and do justice to the Osage. And for that, the massive duration (3:26) is justified (even if cuts could have been considered).
Martin Scorsese finds the right balance between a certain form of spectacle, with sublime framing (a field in flames that recalls The Harvests of Heaven), and a political approach that seems honest – with a fine appearance by the director in a brilliant denouement. The assembly of him is therefore fundamental, as it is his way of staging murders, surprisingly cold.

Finally, what about the performances of its main actors? Leonardo DiCaprio offers again an inhabited servicegoing from a manipulable beta to a real rot more in love with money than with his wife. Robert De Niro still dictates itperfectly bringing his nickname of the King back into the film and offering his typical facial expressions without falling into parody.
His character, the real Godfather of terrifying deception, suits him very well. But we must not forget the excellent Lily Gladstone, capable for his charisma, his restraint, his crooked smile, sometimes even stealing the show from DiCaprio. A magnificent heroine among the wolves.
The flower moon killers was presented out of competition at the 76th Cannes Film Festival.
Source: Cine Serie

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