Strange, inclusive, ecologically conscious and frankly pornographic, the musical fantasy of Portuguese director João Pedro Rodríguez fires (will-o’-the-wispDuring the 2022 Cannes Film Festival, it was arguably the funniest thing to happen in a movie at 67 minutes. Needless to say, the film doesn’t have its serious moments either, as it deals with an ecological catastrophe, lost love and even death. Still, it’s a fun fury that revolves around a young prince (Mauro Costa) who goes against family tradition and becomes a firefighter and finds love with firefighter Afonso (André Cabral).
Featuring incredible dance numbers set to old TV kids’ tunes and pop tunes, choreographed by Madalena Xavier, it’s sure to be scheduled at all LBGTQ+ friendly festivals. Abundant images of penises in all states of arousal mean hardcore certification in most areas, but they’re sure to find an audience.
fires
It will light a lot of fires.
The film is shot on a seemingly modest budget, which makes for easy set design and poor costumes, though there may be other reasons to choose the latter design. Directed by Rodrigues (Ornithologist) And his co-writers João Rui Guerra y Mata and Paulo López Gracha organized a science fiction narrative structure with some simply decorated rooms. Blinding the viewer even at the time of year, the film opens in 2069, as King Alfredo of Portugal (then played by Joel Branco) reflects on his deathbed life.
The action soon moves to the same royal palace, but with an alternate version of our present. Alfredo (Costa Rica) is a 25-year-old with a cloud of blond rings and a sweet bovine expression bothered by the forest fires that are ravaging the country. (Portugal has indeed had devastating wildfires recently, as have many parts of our soon-to-be-uninhabited planet.)
However, her imperial and snobby parents seem less than thrilled. Although Alfredo perfectly delivered Greta Tunberg’s famous speech at the UN (“We are at the beginning of a mass extinction and all you can talk about are stories of money and eternal economic growth, how dare you!”). They are afraid that he wants to go and become a firefighter. “Don’t confuse the royal family in documentaries!” His mother complains, Strikon, who really enjoyed the show at the festival I attended.
Even so, Alfredo will join the firefighters, resisting the reassuring reaction of the firefighters (Claudia Jardim, salty and delicious) and of the men and women who warn him that the exercise will be as brutal as his dance. In the firehouse, Willow Alfredo plays Pa de Dex with her muscular tutor Afonso. This includes a lot of movement from the classical ballet repertoire, with a fire department and women debating behind them, all set to a Portuguese song called “Blanco y Negro”, a rather crude choice given that Afonso is a human being. Color.
Soon, a desire arises between the two men when Alfredo has to practice mouth-to-mouth breathing techniques with his teacher. The homoerotic atmosphere extends to other firefighters who enjoy capturing famous cartoon scenes as they strip naked, from Titian’s cartoon. raped lucrecia Francis Bacon fighters. Later, supposedly called in to put out a real fire, Alfredo and Afonso lie naked on the grass and punch each other until the desire is extinguished, a very sweet hardcore that goes before the money is thrown away.
The last half of the movie is drawn even less closely, but it’s still a big bang. While actor dancing is very good, acting generally offers less training. But it fits better with the semi-professional vibe, creating work that feels light, fast, and quite dirty throughout.
Source: Hollywood Reporter
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