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Ouistreham: is the film with Juliette Binoche inspired by a true story?

Emmanuel Carrère returns to the cinema

In 2021, the writer Emmanuel Carrère will make his second fiction feature film Mustache in 2005, Ouistreham. Emmanuel Carrère, in addition to being one of the great authors of contemporary literature, maintains a strong relationship with cinema. In particular he co-wrote the scenarios for his novels (Snow class, The Adversary), and adapted those by Fred Vargas for television.

The synopsis of Ouistreham is the next one: At the age of fifty, the writer Marianne Winckler immersed herself in the world of temporary and precarious work for a year, applying and then working for a position as a cleaner on board the ferries that travel between Ouistreham and Portsmouth. .

Logically, for the writer and director, Ouistreham it is a free adaptation of a written story. Adaptation of a book by the journalist Florence Aubenastitled The Quai de Ouistreham. This was published in 2010, and is the autobiographical story of a real investigation who led the great journalist.

A fascinating true story

Ouistreham, which features characters whose names have been changed and some differences between the events of her story and those of Florence Aubenas’ story. But to the extent that Florence Aubenas really took on another identity to carry out her investigation into the precarious environment of domestic workers in the Caen region, the role played by Juliette Binoche Ouistreham it’s what Florence Aubenas played in reality.

He has long rejected offers to adapt his book to the cinema. Before definitively accepting that of Emmanuelle Carrère. She insisted in particular that, apart from Juliette Binoche, almost the entire cast be made up of non-professional actors, to preserve the documentary aspect of her story. In addition to Juliette Binoche, only the actor Louis-Do de Lencquesaing and the director Charline Bourgeois-Tacquet, companion of Emmanuel Carrère, appear. Ouistreham.

Ouistreham ©Memento Distribution

Emmanuel Carrère’s film is therefore fine, despite taking on the genre of cinematic fiction the telling of a true story. But above all, it is an object whose boundaries between fiction and reality are intensely blurred. Indeed, the autobiographical story of the journalist Florence Aubenas is itself a story with great literary ambition. And so it’s not not a pure straight journalistic story.

In this, Florence Aubenas herself questions herself truthfulness of his method. And she opens up about intimate conflicts caused by her professional goals and his personal beliefs. Social news, investigation into precariousness and portrait of a woman, these multiple themes constitute the great quality of The Quai de Ouistrehamand what Emmanuel Carrère was able to capture in his film.

Source: Cine Serie

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