A bitter failure for Christian Clavier
Among the members of the Splendid troupe, Christian Clavier is the one who has become the most popular actor in cinemas. In addition to the successes he shared with his former teammates, in particular The Bronzed AND Grandfather resistsit also greatly delighted the audience Visitors, Guardian angels, Asterix and Obelix: Mission Cleopatra in the 1990s and early 2000s The 2010s saw him return to prominence after a lackluster period, with Teachers in 2013 and especially the film series What have we done to the good Lord? ?, a box office champion that amassed millions of viewers.
Thus, while Michel Blanc or Josiane Balasko, for example, successfully established themselves in auteur cinema, Christian Clavier worked to become the most popular French comic actor. But there are also some in this impressive pedigree solid shortcomings. And among these films avoided by the public there is We don’t choose our familyreleased in 2011 and directed by Christian Clavier himself.
350,000 entries and killer reviews
For his first film as director, Christian Clavier directs in his comfort zone. In fact, it was Jean Reno who asked him to write a screenplay so they could work together on a new film. He wanted to stay behind the camera for a while, then he offered himself a first role on the screen, and for this accompanied by Jean Reno and Muriel Robin.
“Living well beyond his means, César Borgnoli, an Italian car dealer, is on the verge of ruin. His sister Alex, who lives as a couple with her partner Kim, offers to save the family garage by offering him a deal in hand. César must pretend to be Kim’s “husband” in order to legally adopt little Maï, an adorable 5-year-old girl in Thailand, who the couple of women want to welcome more than anything in the world.
The reviews are terrible for We don’t choose our family. The humor is considered heavy-handed, the performances very poorly interpreted, and a form of racism is identified. The cinema review Critic he wrote like this:
Although it deals a priori with a topical topic (homoparentality), this first film is nevertheless terribly out of date: not at all written and directed, terribly badly acted, “Let’s Not Choose Your Family” also allowed itself the luxury, in 2011, of show uninhibited racism.
The press is not kind and the vast majority receives Christian Clavier’s film very negatively. Alike, the public is not interested at all. Only 350,000 people are moving, with a terrible drop between the first and second weeks. Indeed, if it takes into account 229,167 entries in its first week, it has only 86,455 to his second. Then 22,131 in the third… Proof that the word of mouth was dramatic We don’t choose our familyfilm now largely forgotten in the actor’s filmography.
Source: Cine Serie
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