Infiltrate : The return to Martin Scorsese’s business
Not used to the exercise of the remake, Martin Scorsese tried it for the second time in 2005 with InfiltrateFourteen years later Live nerves. The function is based on the Hong Kong thriller Infernal affairs by Andrew Lau and Alan Mak.
Scripted by William Monahan (London Boulevard), this correction of drafts transposes the original plot to Boston. Infiltrate Increase more on the psychology of his characters and the gradual loss of reference points of those embodied by Leonardo DiCaprio and Matt Damon. The first, who finds the director after New York bands AND AviatorHe lends his characteristics to Billy Costigan, a police officer who managed to infiltrate the criminal network led by the Irish gangster Frank Costello (Jack Nicholson).
To carry out his operations without being disturbed by the authorities, the mafia sent one of his soldiers, Colin Sullivan (Matt Damon), in the police. Things get complicated when the two fields realizeA taupe is in their ranks.
Mark Wahlberg, Vera Farmiga, Martin Sheen, Ray Winstone and Alec Baldwin complete the distribution of this film that scores The return of his director to the Gangster film After Free AND Casino.
Characters marked since the beginning of the film
With InfiltrateMartin Scorsese pays homage to many predecessors. Throughout the film, the wink at Alfred Hitchcock stands e Psychosisto William A. Wellman e The public enemy But also in Howard Hawks e Scarface. Of the latter, the director resumed The letter “X”Visible on the screen when Tony Truck (Paul Muni) makes a victim.
As the video above points out, this letter (or this cross) appears many times in InfiltrateAnd this from the beginning. This is, for example, the case during the opening monologue of Frank Costello, when Billy Costigan eliminates his prison sentence or when Colin Sullivan moves to the chapter du Massachusetts.
The letter is also hidden in architecture or is tagged when captain Queenan is thrown from the top of a roof or when Sullivan and Costigan put the elevator together in the last few minutes. Announces it Fatal spell or imminent death May the Martin Scorsese reserve for his characters, who are finally condemned from the beginning. Details that amplify the fatality of their life as criminals and policemen. And as Frank Costello says in the film: “In front of a busy gun, where is the difference?”
Source: Cine Serie
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