FastA good surprise that could shade Brad Pitt
Almost 20 years have passed that we follow and appreciate Alban Lenoir. Revealed in Kaamelott Season 4 (2006), he was also perfectly in his place Bonus,, Hero Corp,, Objective of dead OR Laziness. In 2020, the success of Loss ball (Guillaume Pierret) On Netflix He pushed him to another level of notoriety. Enough for him continue to bring this saga of action, of which The third Opus It is scheduled for May 7 on the streaming platform. The actor was also at the center ofAkaStill on Netflix, but this time directed by Morgan S. Dalibert (director of the photography of Loss ball and his suite). Another action movie, darker than Loss ballBut which still owes a lot to what can now be considered the “French Jason Statham”.
Fast He brings together Alban Lenoir and Morgan S. Dalibert a second time, this time for an action and sports comedy, designed for the big screen and who plays The entertainment card without neglecting a realistic part On the world of Formula 1. Or rather, on the route to follow to hope to reach the Queen of Motor Sport competition. Because before he can realize his dream, A young driver named Max It will pass through the kart, then through a specialized school that could open the doors of the F3, F2 and F1. Recall that this summer will publish the film F1 by Joseph Kosinski with Brad Pitt. Without trying to boxes in the same category, Fast A good appetizer proves before you can discover the American superproduction.
Alban Lenoir in exuberant mentor by Paola Locatelli
Paola Locatelli I interpret the heroin. It is an euphemism to say that the influencer was scheduled at the turn followed by almost 2 million subscribers on Instagram. Her first actress passes into the new version of Dangerous connections (on Netflix) had not been very convincing. But in Fast,, The actress soon silences of the skeptics (First), being credible and only in every situation. Whether it’s interpreting the angry and emotional teenager, who eats the brake after putting aside his dream, or playing his burnt head that puts the Stanlas in his place, a former F1 rider to not say anything else.
The latter is Alban Lenoir who embodies it. In FastThe actor returns to play mentors. An extraordinary mentor, which allows the actor to go all the way to humor. On a total free wheel, Alban Lenoir remembers being good in action like the comedy. Through this duo, Fast Take on gender films Old school and American. In addition, the function does not hide its references. A nod to Bad guys,, a training al Rocky… there is no need to remember the many films built aroundA master/student relationshipof the old generation that faces the news. Fast It presupposes this without unnecessarily looking for the genre in revolution.
Between entertainment and passionate look at F1
If Morgan S. Dalibert’s film also works, it is that we feel the involvement of the passionate people of this universe, for race and speed. Of course, here and there, the show prevails over credibility (rolling it with a helmet in a single seater on a country road, it is possible only in Guide with Sylvester Stallone). But the director finds the right balance to be entertained during the offer An honest immersion in the world of F1.
Visually, Morgan S. Dalibert is effective and It does not fall of ease Too cutting for racing sequences. We also feel it at ease for Wheel Racing Cars movie against the wheelsrather than capturing more intimate moments. Like this beautiful night scene on a circuit, with a narrow frame on the faces of Max and its main rival and the blurred lights in the background. The “past” of Daliber’s photography director reappears right now.
Finally, there is obviously inside Fast A feminist speech Since the question arises at the scene of women in this sport. Max is aware of evolving in a world of men and who risks being underestimated or excluded because of his kind. But the scenario of FastRather intelligent, more generally he thinks about the question. The interest or not of the sponsors to bet on Max which leads for example to financial issues. Just as it is explained during Max’s training that the differences in morphology between men and women force the young pilot to work more. Fast He is still optimistic on gender problems and on the future leaving, In the end,, Time as the only decision -Productor of Max’s success or not.
Fast by Morgan S. Dalibert, in the cinemas the April 16, 2025. Above the trailer.
Source: Cine Serie
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