EntertainmentBem Vindo to Rebellion: Penultimate Andor Arch brings irreversive massacre to the end, Andor brings a suffocating narrative that prepares its consolidation as one of the best Star Warspor Saga Writing

With the structure of jumping one year every three episodes, WaterAdvances in time – but it remains attached to the same central point: Ghorman. The city, which has been the scene of a brutal massacre promoted by Tarkin, now becomes a symbol of imperial repression, indifference to civil lives and the way power destroys to the memory of the dead.

This arc further deepens the values ​​that the series has been drawing from the beginning. We have the point of view of the Senate, which is ruined before our eyes; BSI’s, with its cold and arrogant methods; And the rebellion, made by those who have nothing more to lose. That’s where Ghorman Differentiates from Ferrix: while Ferrix reacted, Ghorman It was massacred.

And if Ferrix It was the heart of resistance, Ghorman It is the memory that not everywhere can defend itself – but it is still a symbol of revolt. A new form of rebellion is born there.

The characters define themselves

Cassian Andor (Diego Luna, Party in heaven) is getting closer and closer to becoming the one we know in Rogue One: A Star Wars Story. He continues to join pieces, people and purposes. He is the messenger, and this bow makes it clear that he can’t – and won’t – stop.

Dedra meero (Denise GOUGH,Robin Hood), on the other hand, is erased, locked, almost nervous. The woman who was once one of the most threatening minds in the series now seems just lost, observing the chaos she herself helped to create. And your husband Syril (Kyle Soller,Anna Karenina), begins to understand that the world is not black in white. He was deceived, yes, but also allowed himself to be used. The relationship of the two ends tragic, and symbolic.

Political chaos and moral collapse

Arch three is undoubtedly the strongest of the season so far. Getting into the second episode and exploding in the third – with action, espionage and true political tension. Episode 8 is the highlight, and nine is not far behind.

So far it is impossible to forget Cassian’s eyes filling with tears as he listens to the shouts of people being murdered or the senator scene Mon Mothma (Genevieve O’Reilly, Rogue One: A Star Wars Story), “Turning the coat” completely and, even if fear consumes it, it follows.

Her scenes in episode nine show the complete bankruptcy of any dialogue with the Empire and when she hears “welcome to the rebellion”, he knows that there is no return.

The relationship between action and purpose has never been so strong in the series. How do you keep fighting when everything around you collapses? When even communication fails, the clips go wrong and friends die?

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