Turnstile takes Mosh and deep tracks of ‘Never Enough’ to NPR Tiny Desk

The first time Turnstile participated in the series Tiny Desk from the NPRthe show was recorded at home. The space walls were full of stuffed animals and cartoon characters, which basically played the role of a royal audience. Of course it wasn’t the same. Now they come back with an official presentation, this time with a real audience, and Brendan Yates He could even throw himself softly on the audience.

The show started with “Dreaming”a deep track of the band’s latest album, Never Enough. The entire performance highlighted the album, exploring the versatility of the band’s sound and experimenting with different approaches within their powerful hardcore. Then they played “Sunshower” and “I care”before ending with the tracks “Never Enough” and “Birds”.

Yates led the band alongside Pat McCrory and Meg Mills on guitars, Franz Lyons downstairs, Daniel Fang on the battery, Tobias Moody in the saxophone, Theljon Allen in the trumpete and Troy long on the piano. During the music “Birds”As the band was surrendered to the sound, a Mosh Pit graduated in front of the makeshift stage. On the table that separated the team from the public, Yates He launched into a deadly jump and fell into the perfect position to surf over the audience in the office.

“Since this is kind of a home show for us, there are many very important people in the room,” he said Yates. “Personal heroes, people we grew up, family, friends, people we discovered music, people we made music, and even new friends. I just meant thanks for always being present. I love you.”

Breaking patterns is exactly what the Turnstile Do it better. “Baltimore’s hardcore band has always broken the rules,” wrote the Rolling Stone in a criticism of Never Enough. “The group’s fourth album sounds like the future, if the future were the universe that Bill and TED They visited, full of those guys of silver suits playing electric guitars like saints giving blessings. ”

This article was originally published by Rolling Stone USA by Larisha Paul on September 10, 2025, and can be seen here.

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