Zachary Quinto in “Who’s Afraid of Virginia Woolf?” And when will the next “Star Trek” movie happen?

Most viewers know him as Dr. Spock in the movie. ᲕThe way of the stars It’s a franchise, but Zachary Quinto is first and foremost a theater rat. Nominated for numerous awards and winner for his work in performances such as angels in america, it’s a glass menu And recently, guys in a groupNow he’s playing perhaps his toughest stage role to date: in the George Edward Albee classic, Who’s Afraid of Virginia Woolf?

Premiering April 28 at the Geffen Playhouse in Los Angeles, the new play, directed by Gordon Greenberg, also stars Eime Carrero Hoon, Graham Phillips as her husband Nick and Calista Flockhart as George’s wife Martha.

In the famous play, which celebrates its 60th anniversary this year, George and Martha spend a drunken night entertaining Nick and Han at their home on the Little University of New England campus, where they are both professors. As the booze flows and the hours pass, Nika and Hani witness the drunken brawl that determines their hosts’ wedding. But soon they too enter the fray.

“Gorgi is one who struggles with many inadequacies. On some level, I would call it failed ambition, but on another level, non-existent ambition,” Quinto said. hollywood reporter During test intervals. “There is so much compression in the balance that the game starts with. And part of the expansion of his contraction is the psychological dynamic he shares with Martha. For them, something is at stake that has never been at stake before, is saving their marriage, their integrity.”

George was believed to have great potential when he married Martha, the daughter of the school president. After 23 years, he suffered and drowned in frustration with his wife’s drinking. “There is a position of power that Giorgi occupies as man of the house and night bartender. He keeps Martha at the level of intoxication she’s used to. But while he manipulates Nick and Hannie over how much he serves them, for every drink George has, Nick and Hannie have at least two, if not more.

Fifth, those who don’t drink are not bothered by the theatrical need for a drunken play. Instead, his focus is on what happens when the guardrails fall, when inertia explodes into untold truths. The result is a storm of screams and tears that defines much of the game.

“I think George and Martha love each other very much and really want to save each other,” Quinto said. “The skillful thing about this job is 255 minutes of long work. But the last five minutes offer forgiveness, tenderness, reunion to make it a masterful blow from Olby.

The playwright’s third work, Who’s Afraid of Virginia Woolf? Tony won best play and was nominated for a Pulitzer Prize by a theater jury, but the organization’s advisory committee rejected it and decided not to award the theater prize that year. The 1966 film adaptation was nominated for 13 Oscars and won five, including one for Elizabeth Taylor. If Pulitzer felt like someone who got away, Albi shouldn’t worry. He subsequently won the award three times. delicate balance, navy s three tall women.

It may be kismet, but there is a cross between Who’s Afraid of Virginia Woolf? s ᲕThe way of the stars. No, Spock will not spend the newly announced installment of the franchise drunk on the USS Enterprise Bridge. Instead, he will take orders from Matt Shackman, art director for The Geffen Playhouse, who will direct the new film, with the working title: journey in the stars 4. (This will be the 14th film ᲕThe way of the stars Franchise.)

But like fellow actors Chris Payne (Captain Kirk) and Carl Urban (who plays McCoy), Quinto was taken aback by the announcement that a new movie was scheduled for later in the year.

“I don’t know, let’s do it this year. I don’t know when that will happen. And I always say I’d love to do that,” she said, although she hasn’t yet seen the script written by Lindsay Beer and Geneva Robertson-Dworet. up” – I’ll wait and see. I’m not really walking into this until I’m more firmly convinced that it’s actually happening.”

He went on to point out that studio films scale ᲕThe way of the stars They usually start and end on their own, but trust the movie to happen. The property is a big franchise for Paramount and the studio needs content for the theatrical release and its streaming platform, Paramount+.

“There are many different content platforms. And it’s always an obstacle where that content comes from and how it’s done and how it fits into people’s schedules and other commitments and issues. But I hope we can get the crew together again. This is a wonderful set and we love each other,” he offers. “And I think I can talk to everyone and say that we want to find a way to go back and do something else.”