Disabled filmmakers’ organizations are calling on the Cannes Film Festival to make it inaccessible, including the lack of a way to get to the Grand Lumiere Theater without using the iconic red stairs.
1in4 and FWD-Doc, which feature Management 360 Erin Brown and creeping camp Director Jim Lebrecht is among the co-founders working to increase justice in Hollywood for filmmakers with disabilities. The groups have compiled a list of accessibility issues faced by French festival attendees with disabilities, as well as the changes they require ahead of the 2023 edition of the festival.
The brown and disabled filmmaker Víctor Santiago Pineda occupies the 75th placeme At the annual festival, he noted a number of issues, including the personal check-in window, located 1.5 meters from the ground, a lack of staff training on access and possible accommodations, and a lack of route maps available for locations.
The festival’s ongoing and well-documented issues with the electronic ticketing system also disproportionately affected festival-goers who could not easily access kiosks or customer service staff who could help sell tickets. (THR He asked the festival for comment, but has yet to receive a response.)
“By disabling filmmakers with disabilities, the entertainment industry is also harming itself,” said a joint press release from 1in4 and FWD-Doc. “As the experience of Brown and Pineda shows, the entertainment industry continues to regularly exclude filmmakers with disabilities from major industry events.”
The groups have put together a list of changes that need to be made before returning to the cruise line next year. Requirements include inclusive employee access and training and clearly marked and visible signs for on-site access routes. They also ask the festival to nominate the person or persons responsible for achieving accessibility goals.
Amanda Epson, acting director of FWD-Doc, said in a statement: “The EU agreed to minimum standards for access in 2019. Skin took years to modernize. We are disappointed, but not surprised. ”
In recent years, the entertainment community, including film festivals, has been considering accessibility practices after repeated calls from filmmakers with disabilities for lack of equality and support. Sundance Film Festival, where creeping camp Opened the 2020 edition and where it became the winner of the best film CODA The first premiere took place in 2021, betting on the subtitling of all films, with a question and answer exhibition with ASL interpretation.
“Next year’s festival should be a stark and clear contrast to 2022’s response to the under-response, constant outrage at the woeful lack of skin participation. “It’s not difficult and shouldn’t be difficult for anyone to understand,” said Lebrecht, an Oscar nominee and co-founder of FWD-Doc. “We just ask what our non-disabled colleagues regularly think of themselves.”
Source: Hollywood Reporter
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