“12th Night” (“La Nuit du 12”): Film Review |  skin 2022

“12th Night” (“La Nuit du 12”): Film Review | skin 2022

A stunning snake-like investigative drama that reminds me of movies like Zodiac s memories of the murderOn a more intimate scale, though, is writer-director Dominik Moll. the night of the 12thme(the night of the 12th) follows two fortified French detectives trying to solve a gruesome murder that constantly eludes their grasp.

Backed by a well-matched duo of Bastien Boulogne and Bully Lenners, who play a team of good cops and bad cops whose lives outweigh a case that sits on file for weeks and months, this tense and biting mall thriller is one of the strongest. It works to this day, using the gender model for violence, gender and surveillance in modern France. It premieres in home theaters, after debuting in the Cannes Premieres section, where it can attract international attention.

12 nights

Final result

A tense and realistic thriller.

Events location: Cannes Film Festival (Cannes premiere)
Issue: Bastien Bouillon, Bullie Lanners, Theo Cholby, Johann Dionett, Thibaut Evrari, Julien Freeson, Paul Jansson, Muna Sulam, Pauline Series, Anuk Greenberg, Lula Cotton Frapier
Principal: Dominic Molly
Writers: Jill MarshandDominic Molly

1 hour 54 minutes

According to Pauline Guena’s non-fiction book, 18.3 – One year for PJThe film is adapted from a single section of the 500-page panoramic view. police court, which is the French equivalent of the Police Department’s Detective Department. (Guena’s book was partially inspired by David Simone’s book Murder: A Year of Murder in the Streets.)

Molly and regular co-author Jill Marshan decided to focus on one case. 18.3, which followed the murder of a teenager, Clara (Lula Cotton Frapier), whose burned body was found in a quiet suburban community. The real story takes place outside of Paris, but Molly describes the action on the outskirts of Grenoble, in the foothills of the French Alps, which gives her film a more epic and isolated atmosphere while also putting the scene in a monumental context. full of people.

The film begins with Clara’s murder, where an unknown assailant pours gasoline on her and lights her up as she returns home from a late night party. The next day, ambitious young Johann (Bouillon), who is the agency’s chief detective, and his older and more offended partner, Marceau (Lanners), pick a case that will take them on a long, long journey. Labyrinthine quest to find the culprit.

By searching and questioning the suspects, all men, from adolescence to 30 years old, all with a close relationship with Clara, the search turned into a broader study of male violence in a society where women are victims and in Clara’s case , responsibility for their sexually abusive behavior.

The story alternates between hunting and the police station world, which is also a very masculine world where only one detective, Nadia (Mouna Soualem), joins the team at the end of the game. Molly spends her time exploring the cops’ macho friendship, but she also discovers their glowing insecurities, especially when it comes to Marceau, whose wife leaves him early in the film.

This creates a lot of tension between the police officer and the various suspects he is reading, whom he tends to think of as surrogates for his ex-wife’s lover. And it also forces him to confront Johann, who is very distant and distant. The performances echo this dichotomy, often flying off Lanner’s dead sleeve a few times, while Bouillon recalls Jonathan Groff’s smooth and slightly bizarre stunts in David Fincher’s film. mind hunter.

The Netflix series also reminds me of the most fascinating parts of the film, which are not action scenes but long interrogation scenes where Johann and Marceau try to confess to their many suspects. Every time they hit a wall, be it mundane (a spoiled teenager who thinks Clara is just another conquest), funny and annoying (a project rapper who out of jealousy recorded a song about Clara setting her on fire) or something in between. . Judging and troublesome (an older man with a history of domestic violence who engaged in aggressive sexual acts with a young woman).

“The problem is, any one of them could do it,” Johann said at one point, frustrated with the case, though he spoke more generally about a world where men are often the culprits and women the targets. He becomes obsessed with killing Clara, for the mystery he avoids, a sentiment Molly portrays as a police officer who races on a bicycle in the Velodrome’s outer lane like a hamster that runs on a wheel but stays on the ground forever.

the night of the 12thme He’s been following fans of the investigation for several years, though tensions persist when the judge (Anuk Greenberg) gives Johann the right to rectify the crime for one last push. The film ultimately feels smaller and more contained than the works of Fincher or Bong Jun-ho, but it likewise explores the social and moral devastation that the gruesome unsolved murder represents.

Like Molly’s other films, including her debut. With Harry as a friend… And his recent well-received thriller only animalsThe technical credits are impeccable, from Patrick Gringel’s lens to Olivier Marguerite’s score (Onoda: 10,000 nights in the jungle) that maintains a high level of suspension. Along with the two hosts, an auxiliary caste of would-be cops and criminals is a mix of unfamiliar but very believable, action-based faces in a bitter and disturbing reality.

Source: Hollywood Reporter

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