Mélanie Laurent’s Les Voleuses has made a real heist on Netflix. Since its release on November 1st, the film has reached number one in 36 countries – and is in the top ten in no less than 86 countries – with 18.5 million views worldwide.
A successful bet for the actor and director, who offered a feminine and feminist action comedy for his first collaboration with Netflix.
Flanked by Adele Exarchopoulos, Manon Breche and Isabelle Ajan – excellent as the godfather, Volleys tells the story of the dangerous mission of three burglars tasked with recovering the painting Martial Raysse, La Grande odalisque, displayed in a Corsican villa.
If the success is undeniable, what is the response of the critics? Reception of the film by the press was mixed. echoes talk”An efficient, explosive and clever heist movie“, Პirveli indicates some length but recognizes its quality”Pure entertainment“, while Télérama emphasizes the existence of “A trio of explosive actors“.
Least seduced, likes pointIM sorry”Cartoon plot“And release thinks the film is leaking”False female complicity“, before adding: “Of these claims, only imitations of Ocean’s Eleven remain.”
Subscribers’ opinions on X (formerly Twitter) tend to mirror those of the press, which range from very positive to negative. Check out the posts to get an idea:
good:
ᲪᲣᝡᝦ
Thieves is available on Netflix.
Source: Allocine
Rose James is a Gossipify movie and series reviewer known for her in-depth analysis and unique perspective on the latest releases. With a background in film studies, she provides engaging and informative reviews, and keeps readers up to date with industry trends and emerging talents.
