Alejandro González Iñárritu, director of Birdman and The Revenant, took advantage of his visit to Venice to bump into Robert Downey Jr. and superhero movies. And there is no dead hand!
Alejandro Gonzalez Iñárritu, Oscar-winning director of Birdman and The Revenant, will not finish Robert Downey Jr.! In 2014, the filmmaker sparked controversy when he told Deadline that superhero movies were. “Cultural Genocide”.
“It’s poison, because the audience is so exposed to plotting and explosions and all that nonsense that it says nothing at all about the simple experience of being human. The Mexican director was enraged.
Words that weren’t to Iron Man translator Robert Downey Jr.’s taste. “For a native speaker of Spanish, putting the words ‘cultural genocide’ together shows how brilliant it is.The actor was met with sarcasm by The Guardian’s microphone in 2015.
Oil on the fire
Media journalist Indiewire During the Venice Film Festival, the wick of the dispute was lit again and he asked Iñárritu about it again. The director who came to introduce Bardo quickly kidnapped him.
“What does that mean? The idea of superheroes is false, misleading. If you look at the mentality of most of these movies, it’s about people who are rich, who have power, who do good, who kill bad people. Philosophically, I don’t like them.”
Iñárritu also turned to the words of Robert Downey Jr., which obviously hasn’t been digested 7 years later.
“It was as if they were saying to me: ‘Oh, you, from your backward country.’ you’re pretentious”He lamented, ironically of course to Sweden’s Ruben Ostlund, winner of his 2nd Palme d’Or without a filter.
The least we can say is that the director is not going to stage Marvel! And that’s a good thing, because his next film, The Bardo, will be available on Netflix on December 16.
The story tells about the character of Silverio, a famous Mexican journalist and filmmaker living in Los Angeles. He must receive a prestigious international prize, it returns to his native country, not knowing that this simple journey will put him in front of a terrible existential crisis.
His memories and his anxieties at this time resurface until they become obsessed with him and fall into a state of confusion and wonder.
With emotion and humor, Silverio confronts both universal and intimate questions about identity, success, mortality, Mexican history, and the deep bonds he has with his wife and children. In other words, the raison d’être of the human species at this very special time…
Source: allocine
Emily Jhon is a product and service reviewer at Gossipify, known for her honest evaluations and thorough analysis. With a background in marketing and consumer research, she offers valuable insights to readers. She has been writing for Gossipify for several years and has a degree in Marketing and Consumer Research from the University of Oxford.
