Today we bring you some special tips to make you play Claudia Leitte’s songs like no other. So, follow this article to learn how to play the most famous songs of this Brazilian music diva and leave your interpretation flawless! Born in Rio de Janeiro and revealed in Bahia, after starting in axé music, she also crossed paths with Claudia Leitte […] Claudia Leitte’s post Learn the best guitar songs first appeared on Cifra Club.
Today we bring you some special tips to make you play Claudia Leitte’s songs like no other. So, follow this article to learn how to play the most famous songs of this Brazilian music diva and leave your interpretation flawless!
Born in Rio de Janeiro and revealed in Bahia after starting in ax musicClaudia Leitte also crossed paths with forró, MPB and pop. So, get ready to dabble in several guitar rhythms entertainers, a trademark of the singer’s repertoire.
Claudia Leitte’s songs to play today
We have selected for you the most listened to songs and the most consulted figures by the singer. From the beginnings with the band Babado Novo to the most recent works, the best of Claudinha is here! Check out the songs you will learn to play here:
- I think about you
- soap ball
- My deng
- Largadinho
- overflows
- bald of ice
- dangerous
- flag
- Kiss in the mouth
- taquita
Just happened, right? Therefore, tune your guitar and check out the tips for playing the best songs by Claudia Leitte:
I think about you
In this introduction the sequence of low notes is remarkable, which mark the bass of the chords D7 + (9), And And FA # m7. It is possible to sequence the notes played on the piano on the guitar: D. (1st string, 10th fret), C # (1st string, 9th fret) e THE (2nd string, 10th fret).
From the verse, the rhythm of I think about you is led by the typical Brazilian pop guitar. There are four bars, but pay attention to the detail of the delay before bar 4. In this way, you transport the guitar to the harmony low with the battery.
soap ball
With a groove reminiscent of the reggae, soap ball can’t miss in wheels, luaus, micaretas or carnivals! The first part is marked by the sequence D – G – In – A. Then comes a bridge with FA # m, well, E7 And THE.
The chords of the first verse return in the chorus. But now, to increase the intensity and make everyone sing together, double the choice on the setback.
My deng
In this meeting of the northeastern muses with Juliette and Lucy Alves, forró enters the field! In My dengpay attention to the agreement D # m7 (-5). The name is great, but the design doesn’t scare that much!
Another important point is the sequence melodic after the first chorus. In this passage, the notes you play are: THE (3x), Ab, F #, C # (3x), D., And, C #, B., Ab, F #, And And C #.
The forró rhythm of the music is very fluid. The important thing is to keep the time, without falling or speeding up the time, so everyone can have fun dancing together!
Largadinho
It will be great if you try to learn the starting theme of Largadinho, in a very guitar driven Pará style! It’s a fingering anchored in chords FA # m And well, made on the first 3 strings. When the lyrics start, it’s nice to be able to reproduce, on the guitar, the rhythm that the guitar does in the studio version.
To reproduce this enveloping rhythm, remember when you sing “Down”, lower the dynamics, with a light fingering. Immediately after, to synchronize with the text that says “On top”, increase the intensity, giving attacks in the setback.
overflows
The great success of Claudia Leitte, overflows bring the chords FA # m, D., And, THE, Bm7. Despite the very pop production, it carries a rhythm based on samba rock. To keep the mood high in your guitar version, play the beat of the drums during the verse. Make the kick sign and the two attacks followed by the snare drum.
In the chorus it will be important to double the attacks, always in the setback, reaching a groove reminiscent of disco music. Claudia Leitte’s songs really bring this very unique mix. Now listen, train and let off steam!
bald of ice
Meanwhile overflows you will have to adapt an entire mega pop production to your guitar, bald of ice it is already led by an accented guitar. An important touch here: many of these Claudia Leite hits are heavily influenced by Latin music.
In this sense it is essential to highlight the low note of the chord, right at the head of the bars. But note that on beat 3, you won’t play that low note. This emptiness is what creates the musical syncope, making the rhythm so danceable!
dangerous
This delight song has a Latin vibe and a groove nice to touch. There are 4 chords in total: well, D., THE And And. This sequence is repeated all the time dangerous. Therefore, it is interesting to vary the hand of the beat.
In the verse, the headbeat of only bar 1 and two bars on the backlash. Realize that you will leave an empty time later, at time 3, contributing to the balance. It’s like the bass drum in the studio recording.
In the chorus, increase the groove, marking the chord in the head of the 1st and 3rd movements and bringing more attacks. It will be easy to break like this!
flag
the agreements gm, F., and b And Bb extend throughout the structure. flag. To fill the music sensation and to make its dynamics irresistible, the ideal is to vary the rhythmic hand. Start strumming the chords, just like in the original version.
In the second verse, there is a change in the fingering: the low note continues to be played to mark the rhythm, but then we have the high note played first, from the bottom up. In the chorus, simply change the fingering for a pick, picking up the entire chord, in the same rhythm.
Kiss in the mouth
Time for the most authentic ax! Kiss in the mouth it will require speed and precision from your rhythmic hand. Forbidden to let time fall into a hit of so many carnivals, huh! Harmonically, you will have no problems. Here we have the agreements D #, centimeter, fm And Bb during the verse. In the refrain, the progression is G # – Bb – D # – D – Cm – Bb.
The secret of this song is the axezeiro rhythm. That is why it is essential to keep time. Remember the chords in countertime, a hallmark of groove of Bahian music.
taquita
In this trance between the purest pop and reggaeton, Claudia Leitte provokes and manages to make everyone roll! on the guitar of taquitaattention to alternative tuning: Re – La – Fa – Do – Sol – Mi (upward). With strings like this, you’ll play the chords of this song in C format.
the progression Dm – F. – C. pervades the entire range. Therefore, it is necessary to vary the groove. How? Mark the time with dry rhythms during the verse. In the chorus, she releases her hand and explores Latin swing.
Ready to delight everyone with Claudia Leitte’s songs? We hope that this wealth of Brazilian rhythms inspire you to deliver a great performance! Share these valuable tips and then invite your friends to your party, to the sound of lots of Claudinha!
the mail Learn the best songs of Claudia Leitte on guitar appeared first Number of the club.
Source: Terra
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