Ed Sheeran releases live album ‘Tour Collection: Live’

The album brings together live versions and main studio songs from the artist’s career

Over the years, Ed Sheeran fans have regularly asked the artist for a live project. Therefore, he selected carefully live versions of his best songs recorded exclusively during his tour Mathematics. The result is the album +-=÷× (Tour Collection: Live).

In addition to these special releases, the collection, now available on digital platforms through Warner Music, via Asylum documentsalso includes some of ‘s greatest studio songs Sheeran of a decade.

Ed Sheeran he is an artist who marked an era. Almost sold 200 million records worldwide and was recently celebrated as a member of the Billion Club From Spotifyafter your song The A team overcome 1 billion streams on the platform.

Ed Sheeran even claimed that Band Aid is using his voice without permission

Ed Sheeran has even claimed that his voice is being used without his permission in the latest remix of the charity single. He performed on the 2014 edition of the single together Coldplay, Sam Smith, Rita Ora and others.

Last week, the supergroup Bandaid announced that it will launch a “definitive blend“from the single Do they know it’s Christmas? for his 40th birthday.

According to Billboard, the new release will feature vocals from all four recorded versions from 1984, 1989, 2004 and 2014, including takes on Bono, George Michael, Harry Styles and more.

“My approval was not sought for this new Band Aid 40 release. If I had the choice, I would have respectfully declined the use of my voice.“, he said Ed Sheeran in Instagram stories.

“A decade later, my understanding of the narrative associated with this has changed, eloquently explained by @fuseodg. This is just my personal position, I hope it’s a forward-thinking position. Love to all x.”he added.

Ed Sheeran he was quoting a post by Ghanaian-English Afrobeat musician Fuse ODG, who claims he refused to participate in the Band Aid 30 release in 2014.”I refused to participate in Band Aid because I recognized the damage that initiatives like this cause to Africa.”he wrote.

“While they may generate sympathy and donations, they perpetuate harmful stereotypes that stifle Africa’s economic growth, tourism and investment, costing the continent trillions and destroying its dignity, pride and identity.”, declared

“By displaying dehumanizing images, these initiatives fuel pity rather than partnership, discouraging meaningful engagement. My mission has been to reclaim the narrative, empowering Africans to tell their own stories, redefine their identity and position Africa as a thriving center of investment and tourism.“he continued.

“Today, the diaspora redirects the largest funds to the continent, not to Band-Aids or foreign aid, as long as Africa’s solutions and progress are in their hands.”, finished.

It’s worth noting that the song was first released in 1984 following a BBC report on famine in Ethiopia, but has since been criticized as an example of a white savior narrative regarding problems in Africa. Moky Makura, executive director of the non-profit organization Africa No Filter, wrote in The Guardian that “[o] Live Aid’s portrayal of Africa sparked the birth of a paternalistic industry whose mission was to “save Africa”.

Listen to the album:

Source: Terra

Earl

Earl Johnson is a music writer at Gossipify, known for his in-depth analysis and unique perspective on the industry. A graduate of USC with a degree in Music, he brings years of experience and passion to his writing. He covers the latest releases and trends, always on the lookout for the next big thing in music.