How Makeup Artists Sean Penn and Sarah Paulson Turned Gaslit, Impeachment: American Criminal History into Historical Figures

How Makeup Artists Sean Penn and Sarah Paulson Turned Gaslit, Impeachment: American Criminal History into Historical Figures

As a prosthetic hair and makeup designer for Sean Penn. distortTwo-time Oscar winner Kazu Hiro will play former US Attorney General John Mitchell. This meant the complete appearance of the prosthesis. (Penn also wore a suit to change the frame. “We wanted it to look convincing,” explains Hiro, “but not have the actor piling things up so he doesn’t move well.”)

Hiro had to deal with prosthetics that didn’t leave Penny locked up or locked in a makeup chair for overtime. “I have to take into account the moment of makeup. How long will he be on set? Because if it’s a day, we can spend five hours. But it worked, I think, for about 40 days. We need to know how much time sitting in the chair will do you good.”

The process began with Penn’s own 3D scanning. “I made a plaster cast of her head and started sculpting,” Hiro continues, noting that he used historical photographs to clarify the differences between Penny’s and Mitchell’s faces. “I brought Sean’s face closer to John Mitchell’s face with the addition of something: we can’t remove the actors’ facial plots; We can only add. ”

Sarah Paulson as Linda Voyage Impeachment: an American criminal history “Grand Jury”
Tina Thorpe/FX

For the remake of Sarah Paulson as Linda Trip on FX Impeachment: an American criminal history, It became necessary to jointly review their facial features. Paulson even went so far as to help the makeup team lighten and thin her real brows. “This allowed us to use a medium light pencil and change the brows to give a different structure around the eyes,” explains makeup artist Robin Boshen, who worked closely with the prosthetics team to change Paulson’s face. “When I cut around your eyes and below, I was filling in your eyes and matching your prosthesis.”

They put dentures in her mouth and neck to give her a heavier appearance: “Sarah has very full lips. We blocked the top and bottom of her lips to change the structure and give her a slimmer look.” Boshen says your task is not to make a copy of a real person, but to capture their soul: “Sometimes, if you try too hard to look exactly like the person you’re trying to replicate, it can work against you. This is [about] The essence of the character and giving that illusion.”

The story first appeared in a separate June issue of The Hollywood Reporter. Click here to subscribe to the magazine.

Source: Hollywood Reporter

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