“We’re just asking for justice” –

On Wednesday night, a worker-run Twitter account broke the silence on nearly two and a half years of organizing efforts to unite music supervisors across the country.

Saying that music supervisors (creatives who choose songs and/or promote songs that appear in movies and TV shows and negotiate their use) were trying to make a connection, a report from @MusicNeedsSupes said: “We are one. In the few movies and television shows that don’t accept workers’ rights through our craft. The report urged consumers to “support our community” after the Association of Motion Picture and Television Producers (AMPTP), which negotiates with task forces on behalf of major studios and streamers, “refused to grant us the same rights to our request.

The tweet was related to a communication from AMPTP the previous Wednesday, which refused to voluntarily recognize the band, according to the main entertainment equipment union, IATSE, which supports music directors. This measure could lead to the next elections of union representation for the National Labor Council. (The task force expects the AMPTP to change course and make a deal with them, but present a choice or not; hollywood reporter Please contact AMPTP for comments.)

Now, the IATSE says that about 75 percent of the roughly 500 music supervisors that are active in the United States sign union membership cards. That same week, when they unveiled their union efforts, music leaders spoke out in support of the effort. THR About how they got here and why they feel united is a necessary step. “We just want fairness and we want to be treated like everyone else we work with on the production,” said Michelle Silverman, music director, who has worked on similar tulips. aquaman s Maya Mc

While music supervisors have been considering the unification option for years, the pandemic has launched a campaign to organize the IATSE. In the spring of 2020, many in the field realized that they were not eligible for unemployment benefits because most artisans were independent contractors and the Pandemic Unemployment Assistance Program (PUA) sought to provide unemployment to independent, self-employed contractors. Employed workers began accepting claims in California in late April 2020. (Mixed-income individuals who received W-2s and $1,099 were initially disqualified from the PUA and received low unemployment benefits until Congress received the relief package in December 2020). The shortage set off an alarm when COVID began to spread across the state. “The panic started,” said Madonna Wade Reed, music director.Batwoman, Reign). “It was the biggest catalyst, my God, people are going to lose their homes, people are going to get sick and they won’t have insurance. “This is enough.”

A group of music supervisors appealed to the IATSE, which they believed would work well in part because the union represents music publishers who work closely with music directors through their local association of 700 film publishers. In the interest of uniting music supervisors across the country, organizers began trying to identify as many people as possible actively working on the work. “It was a huge month.[-long] Between efforts, between surveys, to reach out to our like-minded community, these conversations, to ask what was important to them, and once we made this list, of course, we got it all. [union authorization] Signed cards, says music director Jennifer Smith (Why women are killed besides music).

Organizers say they hope the union can solve many problems. Wade-Reid says he wants to adjust more work hours and set pay rates that reflect how long the music supervisor actually works, while Smith adds that final payments, usually made after the project is completed and broadcast, are possible with the system. existing. It comes many months after users see the title and at an unexpected time. The group wants union pension and health care, overtime contract, union vacation contract, vacation and union contact if you have problems in the workplace.

Music chief Manish Rawali (Willow, it’s us), who also works as the union’s music editor, says he is surprised at the difference in supervision between his two roles. “As a music editor, I send my timecard on Friday and have a check in hand next Thursday. “It’s automatic,” he said. “When you’re music supervisor and you’re done with the project and your money is ready, sometimes you have to wait a month or two. “I just got a check for something six months after I finished the project…

Advocates for your case are working to make the actual transcript of this statement available online Advocates for your case are working to make the actual transcript of this statement available online. “Who can do this work?” Smith asks. Ravalli adds that the press recently covered the work of music supervisors, stories that covered the massive rise in airplay of Kate Bush’s 1985 single “Running Up That Hill (A Deal With God)” thanks to a cameo. Weird stuff The fourth season, or dazzling cover ფIphoriaThe soundtrack of its second season and how it matches the show’s creative vision – a testament to how important what we do is.

“People think we’re choosing songs, no,” Wade Reed said. “We write the original song, we get the record, we look at it when we’re on set.” He adds, “The more we do and get involved, the more we emphasize the importance of being equal to everyone we work with.”