Oriana came back with everything: naked, blood and music in “325”, her new song

Oriana came back with everything: naked, blood and music in “325”, her new song

All or nothing. It’s like that the return of Oriana Sabatini with “325”, her new single and music video, which generated a flurry of comments. And it’s not for less. The singer exhibits all her seduction and her talent, in equal doses.

“This theme was born during one of my trips to Miami. It was one of those times when I was just starting to work with Universal and I remember walking into the studio and telling the producer and the songwriters that I wanted to experiment with sounds of different genres. I was afraid of falling into the romantic pop/reggaeton cliché, but I showed them some references to songs I liked in that style and the producer perfectly captured what I wanted to achieve,” Oriana said of his new job.

“You say you love me, but you don’t love me / You’re just used to having me. / Here you see yourself, but you always come back”, sings the brunette in the chorus of “325”.

However, beyond the lyrics, what never ceases to amaze is the music video for “325”, in which Oriana is seen with a super sexy outfit: a black suite with transparencies. And even, towards the end, full nudity is encouraged.

“The concept for the video was born out of a conversation with the director. We had trouble finding an original idea. In my proposals I always try to have another awesome script in sight and there my manager came up with the idea of ​​having a situation in a house where it starts to rain blood, and the director and I absolutely loved it,” he recalled of Oriana.

And he continued: “Obviously that idea then mutated in different ways. The blood was what was left of that main idea but we loved it and I think it has a bit to do with what the lyrics of the song say. song but pushed to the extreme. The theme is about grief and all those issues. When you think of love, you think of red.

The music video was produced by Santiago Aquino and Guido Iannacio and directed by Juan Gonz. While the choreographies were imagined by Mati Napp and Dai Farji.

Source: Qmusica

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